By Albert Samaha
By Steve Weinstein
By Devon Maloney
By Tessa Stuart
By Alison Flowers
By Albert Samaha
By Jesse Jarnow
By Eric Tsetsi
Check out the guy with the accessorized hair in the Beaded Barbie commercial. Just take my wordcheck him out. Also, while the TV's on, please note the commercial for the YMCA, which in all seriousness features children bopping to that old Village People tuneyou know, "Y.M.C.A." But, excuse me, that was an innuendo-filled camp anthem implying that all sorts of wild gay sex went on in every damp crevice. Now it's been stripped of irony and used as if it were an all-American ode to squeaky-clean, asexual fun. Yuck! (Or maybe they domean it the way the Village People did. Where was that YMCA again?)
I hope you also caught the recent Jeopardy! in which a male contestant boasted of being one of the world's greatest Ethel Merman impersonators and, upon Alex Trebek's request, burst into a loud chorus of "There's No Business Like Show Business." He was absolutely awful, but still, it was a moment, especially when the mock-delighted Alex quickly moved on to the next contestant.
If Imay move on, there's no business like showing up late for business--which brings us to the listening party for The Artist Formerly, Etc. at Spy, an event so agitating it took weeks for me to recover the memory of having been there. His Purpleness came about two hours late and was escorted to a VIP area within a VIP area, where he looked even more aloof than necessary. My photographer tried to snap aphoto back there, but a bodyguard formerly known as Killer snarled and she stopped dead in her tracks. I never heard Prince'stracks, by the way, because I was already home by then and playing my Michael Jacksonrecords, ha ha ha.
I showed up on time to Beige recently and faced my biggest nightmare--dozens of stunning, maleNatalie Imbruglia look-alikes, all engrossed in coversation with each other! They're probably all staying at the Y. At least I got to overhear stuff, like how L.A.'s drag scene has perked up with the emergence of someone named Bridget of Madison County. How Paul Reubens (a/k/a Pee-wee Herman) revealed at Babalu that he was in town to be considered for the MC in Cabaret (I guess he's going back to adult theater). And how a lot of disco bunnies' big adventures these days include mixing Viagra with all their other drugs--not because of the sexual thrills, mind you, just because it's another potential mindblower to throw into the nocturnal stew. At least they'll die with hard-ons.
Some media mindblows: I can't live without the Advocate, but now that they've cut down columnists' word counts to provide more white space, they might find themselves with more white space on the masthead. Pulitzer winner Tony Kushner just quit writing a column there--you should give Tony more, not fewer, words--and tells me, "This ends my career as a journalist." (The edited version is "This ends . . . journalist.") And what's with all the words the mag has used up in their multiple advance blowing of Billy's Hollywood Screen Kiss? Yes, I've interviewed the costar, but I never said the movie was all that good--and neither did the Advocate's filmcritic, whose bad review is untitled and buried after yet another piece related to the movie.
And how about the Hollywood screen kiss-off over Newsweek'shaving thrown together a Saving Private Ryancover when they learned that Timewas preparing an exclusive? Yes, Newsweekwas naughty in piecing together old quotes and stuff just to crank out a cover that would fuck with Time. But there isa certain sick amusement in watching execs who--while understanding that hoary old freedom of the press concept--are furious that a magazine dared to promote their movie out of their own jurisdiction! Only in the Control Age could flacks be annoyed because Newsweekgave them a cover story! This calls to mind a chilling recent incident when a PR lady said to me, "Well, you did do a good job interviewing[Starlet A] for us, so I guess we'll let you do [Starlet B]." Wait--shouldn't those words be uttered by editors?
I did a good job interviewing all the starlets when VH1 and Revlon presented Lilith Rocks for Women's Health, a party-benefit-concert that was a real ladies' lollapalooza. At the Milk Studios event, Deborah Gibsonconfirmed to me that Betty Buckleymight play the Merman role opposite her in the Paper Mill Playhouse's Gypsyproduction. (I'm glad they're not considering that guy from Jeopardy!) And then, in an unwanted real-life scene from Les Miz, I was badgered into meeting and posing with an all-female group named AntigoneRisingand promptly renamed them AntagoneRising. See, the band member on my left was leaning against me for the photo, so I thought nothing of resting my elbow on the shoulder of the womyn on my right, for that group togetherness effect. Well, this ruffled her righteous feathers. "Excuse me," she said, waving off my body part. "Uh-uh." Oh, sorry, miss thang, I didn't realize that forcing myself to act friendly for a photo op that I didn't fucking want to do anyway constitutes sexual harassment. Believe me, I'm not interested.