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HONORABLE MENTION:

Harold Melvin & the Blue Notes (Featuring Teddy Pendergrass), Blue Notes and Ballads (Epic Associated/Legacy): even if Teddy's not fully himself, Harold's not half Jerry Butler, and Sharon Paige is Sharon Paige ("If You Don't Know Me by Now," "To Be True"); The Box Tops, The Best of the Box Tops: Soul Deep (Arista): Alex Chilton's first vehicle went deeper than "The Letter" and "Cry Like a Baby," but I won't fib about how deep until "You Keep Me Hangin' On" makes CD ("I Met Her in Church," "Choo Choo Train"); Tanya Tucker, Super Hits (Columbia): adding "Greener Than the Grass (We Laid On)" to the kiddie-porn Greatest Hits, a boon; replacing the rape-Gothic "No Man's Land" with "You Are So Beautiful," an obscenity ("Would You Lay With Me [in a Field of Stone]," "The Man That Turned My Mama On"); XTC, Upsy Daisy Assortment (Geffen): the best songs come from the best albums, an inconvenience ("Grass," "Making Plans for Nigel," "Dear God"); Memphis Minnie, Queen of the Blues (Columbia/Legacy): pretty much past her prime, but not so's she's ready to admit it ("He's in the Ring," "Call the Fire Wagon," "New Orleans Stop Time"); Ray Charles, Ray Charles and Betty Carter/Dedicated to You (Rhino): 12 Ella & Louis bids with Betty, 12 songs to women whose names he's long since forgotten ("Baby, It's Cold Outside," "Takes Two To Tango"); Rufus Thomas, The Best of Rufus Thomas: Do the Funky Somethin' (Rhino): rock's most literal link to minstrelsy ("Walking the Dog," "Do the Funky Penguin [Part I]," "Somebody Stole My Dog"); Joe Simon, Music in My Bones: The Best of Joe Simon (Rhino): he did teen, he did soul, he did country, he did disco, and after the hits stopped coming he hit the pulpit ("Moon Walk Part 1," "The Chokin' Kind"); The Jimmy Castor Bunch, The Best of the Jimmy Castor Bunch (Rhino): not a one-joke band--a two-joke band ("Troglodyte [Cave Man]," "Bertha Butt Boogie," "Hey Leroy, Your Mama's Callin' You"); Woody Guthrie, Muleskinner Blues: The Asch Recordings Vol. 2 (Smithsonian Folkways): knew a good tune when he stole it, no great shakes at singing them ("Muleskinner Blues," "Rubber Dolly"); James Brown's Original Funky Divas (Polydor): give the ladies some! Now give 'em some more! One more time now! Don't stop 'til they get enough! (Lyn Collins, "Think [About It]"; Marva Whitney, "Unwind Yourself"); Ray Price, Super Hits (Columbia):honky tonk Iglesias ("Crazy Arms," "City Lights"); Madness, Total Madness (Geffen): original white ska band, not to be confused with the Jam except maybe over the telephone ("One Step Beyond," "Our House"); Lesley Gore, Sunshine, Lollipops and Rainbows: The Best of Lesley Gore (Rhino): depressingly boy-identified for a protofeminist icon ("You Don't Own Me," "It's My Party"); Paul Kossoff, Blue Blue Soul: The Best of Paul Kossoff 1969-76 (Music Club): lesser guitar god, solo when he wasn't Free, suffered slowly, died twice ("The Worm," "Molten Gold").

ADDRESSES:

Music Club, c/o Koch, 2 Tri-Harbor Court, Port Washington, NY 11050; Smithsonian Folkways, 955 L'Enfant Plaza SW, Suite 2600, Washington, DC 20560; Yazoo, c/o Shanachie, 37 East Clinton Street, Newton, NJ 07860.

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  • Norman 07/03/2010 12:25:00 PM

    I am perplexed about Christgau's irrelevant comments about Billy Swan's ability to succeed in today's "market". He wrote and performed a great song "I can Help". What the hell does it matter that Robert thinks Swan couldn't "make it" in the industry today? Ummmmm, HELLO!!!!! He performed the song 36 years ago. It was a COMPLETELY different place and time. How about giving him credit for a song well written and performed that, incidentally, went to the top of the charts and was enjoyed by MILLIONS? I am at a loss to understand the self-appointed wisdom of idiots like this reviewer who think that they have the gift of superior judgment just because they have some blog space and/or editorial latitude in some obscure industry rag. IT REMAINS A CLASSIC SONG AND PERFORMANCE no matter what is said by self-aggrandizing morons such as Christagau.

 

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