By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
Rather than catch the pricks at Pussy-or the Gary Coleman Webathon, for that matter-I put on $100 worth of free blush for The Story of Us premiere, which was pretty gala, though even fewer gay men were there than are lining up to see The Vagina Monologues. ("Come to pussy!" you can hear their inner tormentors saying.) Aptly enough, director Rob Reiner jokingly remarked that "we knew we couldn't do a movie with two men married. That's never gonna work." I'm not sure why not, but what he did make is a generic date flick for hetero couples who crave validation for their brave lifelong commitment, despite all the intermittent misery they've put each other through. In its own When Harry Met Sally crossed with Two for the Road way, it teaches us that "Hurt hurts," but also that "Hate fades"-and, alas, so do insufferably glib movies.
As the put-upon wife, Michelle Pfeiffer dives way too enthusiastically into that lovably unhinged, laughing-through-your-tears, Ally McBeal school of acting that her real-life husband fosters, but she is effective when in bitter repose. As her best friend, Rita Wilson-who was the best thing in the Psycho remake-gamely tries to punch up a vagina monologue about how female genitals are peaceful and accepting, whereas men's are aggressively angry. Well, she must have been as furious as a penis at the premiere, where everyone only seemed to care about her real-life husband, Tom Hanks.
As for Tom's upcoming starrer The Green Mile, the trailer alone is filled with so much self-congratulatory nobility, it makes Philadelphia and Saving Private Ryan look like frothy romantic comedies. Every second of it seems to beg for Oscar-but I'll just wait and see it before serving up any green thumbs up or down. The Straight Story (not starring Kevin Spacey) has gotten a ton of upward-pointing digits, but I found the seemingly oxymoronic David Lynch Disney film a painfully slow wallow-A Trip to Bounty Paper Towels, as it were-with endless misty shots of the old man driving his lawnmower down the highway (though Richard Farnsworth is endearing as the gooey-eyed geezer). And while The Limey has two eternally welcome cult stars in Terence Stamp and Peter Fonda, it's a little too much like a gussied-up Columbo to be worth the admission money I didn't pay anyway.
If I can keep up this streak of cathartic negativity, thank you, I wasn't fully entranced by Fight Club either, but not for the same reasons as the reactionaries who are lining up to butt it in the head half-naked. Unfortunately, I've become publicly aligned with that crowd because after the screening, a man who didn't identify himself asked what I thought of the film and I muttered, "I didn't like it." He turned out to be a writer for The Hollywood Reporter and quoted me the next day in an article about people who abhor the movie because it's too violent and "socially irresponsible." But I have no problem with the violence, which stems from empty, frustrated people turning to recreational nihilism. I don't think it's urging everyone to start their own fight clubs. (And if they do, who would they be hurting but their own moronic selves?) I didn't even mind Meat Loaf's breasts. I just didn't think it was a good movie, like, OK?
Meanwhile, the planned film version of James St. James's eye-opening book Disco Bloodbath-about his friendship with club-kid-turned-killer Michael Alig-is threatening to become more of a fright club than expected. James tells me that, as of the most recent rewrite, Alig will be portrayed as a wacky Auntie Mame type who just happens to slip up-and they're gonna have the big queen romantically involved with a female protégé! It's The Straight Story all over again.
The club scene went Hollywood much more cutely with the Russian Tea Room party for From AbFab to Zen, Paper's Guide to Pop Culture-an encyclopedia of downtown's diesels, divas, and dives, courtesy of the fashion-y magazine for whom I've profiled Foxy Brown, Mark Wahlberg, and even some people who wear clothes. The place looks spectacular in its chandeliered, Anastasia-would-have-loved-it splendor, though few of the party crowd could remember far back enough to figure if it's any better than it was four whole years ago. For a lot of them, it was their first visit anyway, and it was a kick to suddenly see these south-of-the-14th-Street-border types thrown together with the Russian-themed buffet servers and Tic Tac girls in the equalizing, narcissism-friendly mirrored setting of the third floor. (But amazingly, there wasn't a single done-up drag queen in sight! Having at least one there would have given Warner LeRoy a run for his blini.)
As everyone shoveled in borscht, blotted their Sephora products, and snuck peeks at the book to see if they were mentioned, techno wiz Moby gushed to me, "This is the most impressive New York interior I've ever seen!" (I guess he's never been inside John Malkovich's head.) Moby was also impressed by the nearby Simon LeBon, enthusing, "He has a full head of hair. I'm jealous!" (The place's restoration was apparently really exhaustive.) Even LeBon's bandmate Nick Rhodes turned out to be neither follicly challenged nor differently sound-bite abled. Did Rhodes used to get free food when he came to the Tea Room? "It depended on what suitors brought me here," he admitted. Is the VH1 show Duran Duran's working on a Behind the Music? "No, we already did that dreadful show," he said, wincing. "They should call it Can I See Your Warts, Please?" Whatever they call it-The Story of Pus?-just get out of my way and let me watch.
As for all those celebrities who suddenly want to be president, sorry, people, but it's not exactly an entry-level position. (As long as you're giving it a whirl, though, can I see your warts, please?) And moving on to marketing campaigns, fun guy Calvin Klein has turned up lately at a delightful little East Village playpen called the Cock. He must have discarded the invite that said "Come to Pussy!"