By Steve Weinstein
By Rachel Kramer Bussel
By Tim Elfrink
By Sydney Brownstone
By Graham Rayman
By Graham Rayman
By Graham Rayman
By Nick Pinto
There are no empty beer cans or cigarette butts that can guide you to his grave. No crowds. No security guard. No graffiti on the neighboring headstones. Walk past Fishman and Waldman in Section One-4 of Beth David cemetery in Elmont until you reach a small bush with those little red berries that our moms all told us were poison when we were kids. Look down and you'll see it.
There is no bust of him in his Elvis getup, lip curled and hair coiffed. No statue of him standing awkwardly next to a phonograph, waiting to lip synch the Mighty Mouse theme song. No mention of his lounge-lizard alter ego Tony Clifton or the lovably incompetent Latka Gravas or the sword-swallowing fakir. No mention of his profession at all. No sign of what he was or who he was. Just a slab of granite, sticking six inches above the ground at the front of the Kaufman-Bernstein family plot, etched with the words "beloved son, brother and grandson."
Andy Kaufman's body is supposed to be lying six feet below this hunk of stone. Nobody's sure whether to believe that or not.
The greatest prankster Hollywood had ever seen, Kaufman left every audience he played asking one question: "Was that for real?" He conned news agencies, press conferences, national television audiences. He hired cops to bust up his gigs. He stood outside Carnegie Hall in a mad-man-rags disguise holding a sign that read "Andy Kaufman=Antichrist." The show sold out. He fooled David Letterman into thinking wrestler Jerry Lawler had really broken his neck and slapped him silly. Having the world think he was dead would be his greatest prank of all.
Fifteen years ago at the Nassau Funeral Home in Great Neck, Bob Zmuda stood over the casket of his best friend and wondered the same thing. Well-wishers approached Kaufman's longtime writing partner and begged Zmuda to let them in on the jokeAndy wasn't really dead, and this gig in Great Neck would be the performance of his career.
But Zmuda, a guy who risked life and limb helping Andy execute pranks across the globe, was sitting this one out.
"He had talked about faking his death to me," Zmuda recalls. "I told him, 'Count me out. It's illegal and this is one prank you have to do on your own.' He got the hint from Elvis. He was always looking for the ultimate hoax. You don't get better than faking your own death."
Andy had often said he would fake his own death and come back when he was 50. He was born in 1949. What better time to return than when your name will be on the lips of everyone in Hollywood? That would be around Christmas, when Man on the Moon, a biopic of Kaufman directed by Milos Forman, starring Jim Carrey and featuring music by R.E.M., hits the theaters.
Zmuda says he never saw the body, fearing that a lasting image of his best friend's cancer-ridden body, his shaved head and skin-and-bones stuffed in a box, would have freaked him out too much. He stayed in the back of the funeral parlor as his friend Joe Troiani poked the body. He says Troiani still wonders if the body he jabbed was real or wax because he didn't know what a dead body was supposed to feel like.
If Kaufman isn't lying underneath this pitch of earth in Elmont, then where would he be? Where would he have gone all these years? Elvis went to truck stops. Jim Morrison went to Africa. Maybe Andy went home.
'The time to rise has been engaged'
What's the big deal about Andy Kaufman? Lots of people remember him as Latka on Taxi. They may recall that he wrestled women. Some may even recall his obnoxious alter ego, Tony Clifton. Kaufman was just another comedian from the '70sincluding Belushi, Prinze and Candywho died young and left a not-so-good-looking corpse.
But Andy hated being called a comedian. He was a button-pusher, a behavioral psychologist with balls as big as grapefruits. He would bring an audience to the brink of insanity, and at the very last moment, often listen to them scream as they fell over the edge.
Andy loved to make an audience uncomfortable. He would bring a sleeping bag on stage and take a nap for 20 minutes in front of a packed, paying audience. He relished being booed and took delight in his own failure. He once let his family bomb horribly onstage during a Thanksgiving show in the Catskills. If the crowd started yelling "Latka, Latka, Latka," Andy would pull out a copy of The Great Gatsby and proceed to read aloud for two hoursor until he sent everyone out of the theater and running to the box office for their money back.
And just because the lights came up didn't mean the show was over. He played out his psychodramas backstage, on airplanes and in restaurants. No one knew whether he was crazy or brilliant, or if it even mattered. How did he become the ultimate man-child of comedy, an obsessive-compulsive addicted to chocolate and tantrums, a devotee of both pro wrestling and Transcendental Meditation? To try to understand, we visited his Island haunts and pieced together his lifebefore he hit it bigthrough bootleg videos, interviews with his high school buddies, his biographer, his best friend and writing partner and his illegitimate daughter.