By Stephanie Zacharek
By Alan Scherstuhl
By Alan Scherstuhl
By Charles Taylor
By Melissa Anderson
By Inkoo Kang
By Amy Nicholson
By Sam Weisberg
The first ballplayer to earn $100,000, Greenberg spent the 1938 season chasing Babe Ruth's home-run record. Dershowitz expresses gratitude that Greenberg fell two short. Better he be perceived as hitting his homers against HitlerGreenberg was the first baseball star to join the army, enlisting even before Pearl Harbor. Although scarcely observant, Greenberg was both a paradigm of Jewish pride and proof of Jewish acceptance in America. In this, his equivalent is Bess Myerson, a somewhat younger daughter of the Bronx who, declared Miss America in September 1945, symbolized the post-World War II transformation of the immigrant Jew from "oriental" Other to white American. Ignominiously traded to the Pittsburgh Pirates, Greenberg played his last season in 1947, as Jackie Robinson embarked on his firsta historical coincidence that Kempner usefully illuminates.
The Edge of the World
Written and directed by Michael Powell
A Milestone Films release
At Film Forum January 14 through 20
The Life and Times of Hank Greenberg
Written and directed by Aviva Kempner
A Cowboy Booking International release
At Film Forum Through January 25
Treating its hero as sui generis, Kempner's film ignores the existence of the Jewish strongman Zisha Breitbart, contemporary boxers like heavyweight champ Max Baer, quarterback Sid Luckman, and even the period's other Jewish ballplayers (Moe Berg, "Harry the Horse" Danning, Sid Gordon), let alone the longing for Jewish power expressed in the Zionist call for new Muskeljuden. In the absence of any greater cultural context, the ritual reiteration of Greenberg's greatness grows wearisome. Full of fans, family, and too much "Bei Mir Bist Du Schoen," Hank Greenberg is a cozy affair that leaves the impression of a filmmaker too close to the material.
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