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Society's Child

High production and visual seduction: Marianne Faithfull in a still from Taylor-Wood's Third Party (1999-2000)
photo: Justin Westover
High production and visual seduction: Marianne Faithfull in a still from Taylor-Wood's Third Party (1999-2000)

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Sam Taylor-Wood
Matthew Marks
522 West 22nd Street and
523 West 24th Street
Through February 26

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Taylor-Wood captures it all; everything is high production and visual seduction. Lacking is a certain depth, discomfiture, critical distance, or imagination. She wants to deal with deeper social structures, but she's enraptured by appearances. As with Flaubert's characters, extreme states of being lurk just beneath the surface of her situations. She needs to reach for them.

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