By Matt Caputo
By Devon Maloney
By Chris Chafin
By Village Voice
By Katie Moulton
By Hilary Hughes
By Gili Malinsky
By Bob Ruggiero
HERE WE GO AGAIN! Into the same ol' same ol'? Do I repeat the past or jettison it? (Learning from it doesn't seem to be an option.) We sit on the mattress in the corner, eating Chinese takeout, my new girlfriend and I. I tell her, "Don't worry about what you've heard. I'm not like that anymore. Anyone could have a bad year." Am I condemned to repeat the past, the same mess as last year, the same disconnection, the continual fear? The same false starts, the same detox? "Don't worry about what you've heard." My useless friends they tell her everything."Don't worry about what you've heard." She'll only try to reassure me, and I can't stand that. "I left it all, I don't want that other life." But I hear that voice in my head say, here we go again.
Sound of my little daughter laughing. Heard through the window. Might as well just be a movie? (I'm here with the child-support check. Will they let me see her?) "It makes me happy to be alive, her laughter." Even if it's only through a window? Even if it's only a movie?
Here we go again.
Van Morrison's "Brown-Eyed Girl," it makes me think of a girl I used to know, when I hear it on the radio now. And Van is singing about a girl heused to know. See, a girl Van used to know reminds me now of a girl Iused to know. I sing along when I hear it on the radio. And Van is singing about a song that he and the girl he used to know used to sing. (Got that? You need to be a math major to figure it out.) Then in Van's song, he's singinga song that he and the girl used to sing. He's singing it, Sha la la la la la, la la la la la la. And I'msinging it, the song I used to sing, the one by Van Morrison, the song in which he sings the song heused to sing, which I'm now singing (this is better than Certs, four songs in one), Sha la la la la la, la la la la la la.
"My nightmares just don't scare me now, baby, without you," i.e., I'm better without you, but I still wish I could have found the words to tell you to go fuck yourself.
"You can have your way again. Yeah, you believe what you want to believe." Yeah, blah blah blah, here we go again. Well, we can have our fight tomorrow. Tonight I'm just going to slip downstairs and sit in that thrift-store chair you like. "Yeah, I wish we had never bought a king-size bed." True story: We shopped for a king-size bed together, but then broke up before we got a chance to share it.
Do you remember? Hungry cold happy. Strung out. Ramen. Macaroni and cheese. Listen to Otis Redding. Get wasted, blind. Want to sing like Otis Redding but I can't. We were happy. I don't want to be wasted, don't want to be blind.
The plastic chair in the unemployment office. What an eye for detail! More Songs About Mental Dysfunction and Furniture.In every song I'm stretched between somewhere and somewhere else, heading for a breakup, a reconciliation, a breakdown, a pull-myself-together. I wish I were normal, but I never want to be normal like you. A love affair breaks down, my brain breaks down, I'm working toward the day when I can be normal like you. (I will neverbe normal like you.)
"I will never be your unemployed boyfriend." She must think I'm weird. She must be saying to herself, "This is the first time he met me, he can't know we'll be together, he can't know I'll have his kids. And if he thinks this can be the basis for a relationship, then he's really fucked up." And Stan, what's this shit about us meant to be together? That psycho shit'll make me not want us to meet each other. (Actually, she thinks he's cute: "kind of like Perry Farrellintense but sensitive.") When I walked into the bar at the Hotel Utah, the first time she saw me, she knew. Destiny. Fate. We were meant to be. (We lasted two years.) I just might be the one who will always make you come. (Listen, dumbass, people don't makeeach other come. You don't makesomeone come. Jeez.) Well, you break up, then you've got an absurd hope for the next one.
See clear, ever clear, clear sight, clear bottle, clear liquor, clear smash, clear blind, blind drunk. Everclear singer Art Alexakis is inarticulate about why his child is everythingto him, which is why he writes about everything else instead, writes about absence: absent dad, unavailable child, the love that's gone, the one that hasn't happened yet.
Art Alexakis is the transition between the insanity of the past and the who knows what of the future, between his irresponsible dad and his dad's grandchildren, who will grow up to be who knows what.
Cat's in the cradle and the silver spoon. The little kid in "Wonderful" tells his divorced mom: "I don't want to meet your new friend, I don't want to start over again." The adults just tell him that everything is wonderful.