By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
While in L.A., I also managed to fight my way out of the car to catch up with some more-legitimized palaces of star worship, most of them West Coast annexes of Gotham hot spots, from Asia de Cuba to the Knitting Factory. The L.A. version of Moomba is très sleek, with mohair banquettes and, the night I went, a triumvirate of wacky '80s stars (Michael Bolton, Mickey Rourke, and Rod Stewartor wait, was he '70s?) throwing me fishy looks. Drag commentator Vaginal Davis later told me she'd gone to the opening and was aghast at "all the ill-shapen titties on the women who were also sporting cum rags stuck into their lips. Has that replaced collagen?" Gee, I don't know, but the tuna tartare is great, and the spirit is willing; an insider told me Moomba "is aborigine for a bunch of friends getting together and having fun." Hmm, everyone come moomba in my pants plus one.
L.A.'s edition of Beige comes complete with a panoramic view and Porsche-loads of coked-out yammerers. (Just as the L.A. street weirdos are a notch kookier than the New York ones, their club nightmares have an edge on ours by a giant toot, and ours are pretty scary.) I heard one marvelous 'mare insist, "Between the power crisis and the strike, L.A.'s finally decided to grow up!" (Alas, they haven't become so mature that they've stopped parking right by the entrance of the gym rather than walk two feet to a workout.) As I split, The Mole's Jim Morrison told me he wanted that show to include the fact that he'd won penis contests in a New York club, but ABC shockingly demurred. And they wonder why they're losing prestige points.
Meanwhile, I'd bite my penis for a cut of A.J. Benza's loot. The gossip columnist turned L.A. transplant has not only gotten his own late-night talk show on E! (back in New York), he's also nabbed a regular slot in Talk and is releasing a memoir that Miramax wants to film with Johnny Depp! Don't look at me; I'll settle for nothing less than Kirsten Dunst.
By the way, Monica Lewinsky's people turned down a chance for the ex-intern to be a guest on Benza's show because she might not be treated like "a serious businesswoman." I guess these days she wants to de-emphasize the blow and accentuate the job.
In our own tempestuous town, a Mercer Hotel reservations clerk named Robert Webster claims he lost his job after he told managers he'd tested HIV-positive and wanted psychological help. "The director of sales was supposed to set me up with a psychiatrist, but she never did," Webster told me. "Then they fired me and later gave me negative references." Hotel owner Andre Balazs says no way; "He was let go prior to any knowledge of his status. There were a lot of problems with him ahead of time." End of moomba?
Lately, no one has any reservations (or complaints) in the love motel of gay nightlife. The hot new gays-on-the-prowl bar is xl, John Blair's chic, two-level hangout off Ninth Avenue, which pushes the gay Chelsea border westward now that those darn straights have been infiltrating the main strip. The state-of-the-art box has ever changing lights and sound in order to appease people with short attention spans. (Wait, what was I just saying?) The snazzy result's been drawing a refreshingly mixed gay crowd, the only downsides being the surly drunk who pushed me to get to the exit, the strobe that could give you a seizure, and the non-closed-off area where you're supposed to pee into a trough under a fish tank. Makes sensesuperficial gay men hate "fish"!
You'll wet yourself at Uni-tard, a succession of trend-demystifying monologues by David Ilku, Mike Albo, and Nora Burns at Fez that brings Chelsea to the East Village via the Ripley's Believe It or Not! Museum. A name-droppy spoof of flacks, latte drinkers, and monologuists, Uni-tard is a saucy romp whose stars should be on Saturday Night Live, and not just so I won't have to leave the house to see them.
On Broadway, the 38-person Follies revival has been called threadbare, but I found it a welcome enough plate of Sondheim centered on a gorgeous performance by Judith Ivey. Yeah, some of the surefire showstoppers don't stop the show ("Broadway Baby," "Could I Leave You?"), but the production brings out a lot of what's best about this legendarily difficult exercise in sequined heartbreak. It's not their fault that ghosts of past productions linger invisibly onstage behind the characters' younger selves.
The One Flew Over the Cuckoo's Nest revival reveals that old corker to be manipulative claptrap in which a stutterer, a mute Native American, and a "fag" (all from L.A., no doubt) drive home the hoary idea that looney tunes are more rational than the sane. I'm a looney tune, and I still don't buy that! Amazingly, the production is not ashamed of the material, making you cheer on every cliché. You'll be crazy about it!