By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
Most news accounts have centered on the details of the capture and the controversy over who engineered it. But all the outrage over Venezuela sheltering Montesinos seems a bit hypocritical, given America's longtime support for the Peruvian spymaster. Newspapers like The New York Times have played hot potato with the fact that the CIA did business with Montesinos for years, enlisting his officers to shoot down suspected drug planes while ignoring allegations that he supervised a death squad and took monthly $50,000 bribes from drug dealers. Coverage in The Washington Post and Los Angeles Times has been more hard-nosed than in the Times, but even the stories that detail how the U.S. propped up Montesinos are steeped in self-aggrandizing quotes from an unnamed "U.S. embassy official" in Lima.
U.S. Ambassador to Peru John Hamilton has good reason to want to massage this story: Montesinos has the power to expose the seamy activities of the CIA, which has a secret office inside the U.S. embassy in Peru. According to Jeremy Bigwood, a journalist who covers Latin America, "The U.S. has done an amazingly good job of spinning" the news accounts about Montesinos, with the result that the U.S. government "is now the hero in the picture instead of the bad guy." For a fine example of damage control, see Isabel Hilton's March 5 New Yorker story, which offered rich details about Montesinos's rise to power, but not a word about his ties to the U.S. embassy in Peru.
Last week, as story after story hyped the FBI's role in Montesinos's arrest, one fact was conspicuously missing. In September 2000, when the spy chief first escaped Peru, the CIA lobbied hard to get him political asylum in Panama. Indeed, if the U.S. had taken a tougher stance, Peru's Don Corleone might have been locked up months ago.
The CIA's complicity with this criminal was also missing from a Times editorial on June 26, which called for "dictators and strongmen" to be held accountable worldwide. The Times noted that "if Mr. Montesinos is cooperative," he could "shed some light on his long relationship with Washington." What the Times has yet to point out is that powerful media outlets could also shine a light into that abyss by calling on the CIA to declassify its files on Montesinos.
What did the CIA know, and when did they know it? According to the Peruvian press, that's what Peru's new president, Alejandro Toledo, asked on June 26, when he lobbied Colin Powell to release the files. Maybe Toledo or the media will have better luck than the National Security Archive's Tamara Feinstein, whose repeated FOIA requests on Montesinos have produced a few gems from the State Department, she says, but "absolutely nothing" from the CIA.
Even the most innocuous U.S. documents suggest that Montesinos and U.S. officials have played more footsie than powerful media have told us so far. A 1996 biographical sketch of the spy chief is almost completely redacted, while another document identifies the year Montesinos made a splash in the U.S.: 1976, when the State Department wined and dined the young political aide, introducing him to a number of top policymakers who specialized in Peru.
Upon arriving in D.C. that September, Montesinos met with experts from the State Department, Congress, and the CIA; then proceeded to New Haven, where he had an "all-night" bull session with students; to New York, where he met with a Council on Foreign Relations rep; and to San Francisco. (Why the largesse? Perhaps because, around the same time, Montesinos sold the CIA some info on Russian arms sales to Peru.)
According to his State Department interpreter, Montesinos took "copious notes, which he carefully reviewed" every night, and left with a "more positive attitude" toward the U.S. In conclusion, the interpreter wrote, "He is a firm friend of the U.S., and the results of his visit will accrue benefits to both nations for years to come."
You don't read much about Gabriel García Márquez in the States, but the septuagenarian novelist is now Mexico's champion of independent journalism. After surviving a bout with cancer, García Márquez surfaced in Mexico City last month with Cambio, his new weekly news magazine.
Roger Black, who designed the mag, says that on the night of the launch, "Gabo was hanging out the whole time, running around telling people what he thought of their writing. In New York, I don't think many young writers could take itto have the great man come in and tell you your work is shit."