By Albert Samaha
By Steve Weinstein
By Devon Maloney
By Tessa Stuart
By Alison Flowers
By Albert Samaha
By Jesse Jarnow
By Eric Tsetsi
Believe-it-or-not department: Christopher Walkencurrently knocking 'em dead in The Seagull and on MTVstarted out as a backup singer-dancer for oddball personality Monique Van Vooren, who persuaded him to change his name from Ronald Walken because it didn't sound stellar enough. Ask Ronnie, it's true!
By any name, dance music performer Kevin Aviance seems to have it in for that other drag diva RuPaul. I've repeatedly gotten publicity releases from Kevin's people denigrating Ru as tired and passé and promoting himself as the more captivating alternative. But Kev, dollface, there's room for both of you gammy gals. It's downright meow-trageous to put down another queen in order to emphasize your own giddy glory. Flog your flacks and rise up with prideand don't take it out on me.
Another gorgeous sister, Jennifer Holliday, has her own glamorous ax to grind. She's been trying to revive Dreamgirlsfor years, and is freaking that other people beat her to it with that upcoming one-night-only benefit. But while I feel Jen's pain, I was dumbfounded to hear that she feels her exclusion from the benefit is racistdoes she think they got a Caucasian woman to play big, black Effie? (They didn't!) Actually, she meant that original stars are more likely to get dissed if they're African American, but what about the "Encores!" series, which revives oodles of hits without even phoning the (usually white) people who first starred in them? Jennifer, pumpkin, the new Dreamgirlsis a revival, not a reunion. And anyway, you can relax knowing that even if you don't own the part, you do ownthe part.
On Broadway, If You Ever Leave Me . . . I'm Going With You! is sort of Renée Taylorand Joe Bologna's "Drowned World" toura summation of their years of kooky artistry, but done with bathrobes instead of kilts. For a Westbury Music Fair-style audience, Joe and Renée cutely re-create scenes, tell jokes, and even divulge their sexual secrets. (Renée pretends to be a hooker and accosts Joe at a bar at the Plaza.) They're talking to Jennifer Holliday about the revival.
The hottest new, old, whatever showbiz couple is Drew Barrymoreand Mama Jaidthey've reconciled and are now busy clearing up each other's unbelievably intricate gossip legends. When prompted, Jaid just told me that Drew's Limelight years were greatly exaggerated. (I saw the mother-daughter duo there when Drew was nine and assumed the little one was downing margaritas by the thousand.) Jaid said they only went there once, having been invited by a promoter, and became overly identified with the club and its excesses. Me too! More recently, Jaid says, she controversially put some of Drew's stuff up for auction, but only to benefit Gilda's Club. Oh, one more hot-button issue: Does Jaid still prefer women to men? "It's six of one, half a dozen of the other," she told me, blithely. That's much better than RuPaul, who only likes men!
And what about Rudy? He loves opera, does drag, and is now living with two gay guys. Sounds like he's ready for Scientology! Butmoving right alongKyle Bradfordsure isn't. The second my report went out last week stating that the Tom Cruise-smitten porn star had a new Web site that thanked people for "cruisin' by"get it?he changed it to "stopping by" and even took out the misspelled mention of his having played a "Capanchino vendor" in Days of Our Lives. (Now it just says he was "featured.") Who says I don't have power?
And I have gossip, too. An insider who's "featured" at the high-powered PR firm Rubenstein Associates is reportedly telling people they might drop the beleaguered Lizzie Grubmanbecause she's not up to the caliber of their other clients. And I thought they likeda challenge. ("It's absolutely false," responds Howard Rubenstein. "We are not dropping Lizzie.")
A pretty solid PR client these days, Bebe Buell, celebrated her Rebel Heart memoir at Don Hill'sthe book talks about her Barrymore-like reconciliation with daughter Liv Tyler, by the wayand drew so many Max's Kansas City survivors it was like an "Encores!" revival. Buell's coauthor, Victor Bockris, told me that writing the book "was a real roller coaster," adding, "I think Bebe discovered her life by doing this book. More people should do it. Bebe got very depressed at one point, and that produced the greatest chapter." Which one? "I don't remember. But the book is a Candidefor the modern age. She's Candy for our times." I cornered Candy, I mean Bebe, and asked who the hell Gary Sunshine is. (According to the sex-romp-filled tome, he actually rejected her.) "I don't know!" she exclaimed. "We've all had bumps and bruises." But I guess we haven't all had our Gary Sunshines.
Get bumped and bruised all you want at the Brawlers' Fight Club NYC, a monthly event at the Manhole Mens' Club, featuring wrestling, grappling, gut punching, and everything but reconciling with your famous daughter. The motto? "If you got the balls, we got the space!" And indeed, the cozy basementdotted with guys in their underwear paddling and massaging each other, in that orderis centered around a mat, on which some serious antagonism is worked out. Who aresome of these people off the mat, pray tell? "There's an Ivy League professor," an insider told me, "and a Broadway producer . . . " Enoughlet me at 'em.