By Jena Ardell
By Jon Campbell
By Alan Scherstuhl
By Tessa Stuart
By Roy Edroso
By Jon Campbell
By Albert Samaha
By Zachary D. Roberts
By now, everyone's sorted out his or her own two-degrees-of-separation story about the terrorist destruction of the World Trade Center two weeks ago. For me, it's that Windows on the World's executive chef, Michael Lomonaco, happens to be an old high school friend, one I'd just caught up with when I dropped by Windows 10 days before the attack. Jump ahead to the horror, and over 70 people who were working at Windows, plus over 110 businesspeople who were breakfasting there, are presumed dead, but Lomonaco was miraculously spared. Why? Because on that very morning from hell, he decided to order reading glasses at the LensCrafters in the WTC's shopping concourse before going up to his joba move that saved Lomonaco's life, since he wasn't in the tower when the insanity hit.
"I was almost through with my appointment," Lomonaco told me last week, "when the optometrist noticed people evacuating and said, 'Something happened. We've got to get out of here.' As soon as I got out that door, I knew it was something completely dreadful. I ran across Church Street and looked back up at the buildings, and tower one was clearly on fire. That's the building where Windows was."
The master chefthe sunniest one I've ever knownwas deeply shaken, grappling with the personal impact of the horror. "I thought of all the people who were working," he said, somberly. "It encompassed every departmentkitchen workers, prep cooks, pastry cooks, accounting, wait staff, housekeeping. Personally, I feel a great sense of loss for all of my friends and coworkers. It's a completely unimaginable catastrophe. It's a miracle that I wasn't up on that elevator."
And it's a shamecall me superficialthat there's no more Windows on the World, which was such an integral part of the city's entertainment landscape that it merits its own wake. "It was such a romantic place," said Lomonaco, "that it appealed to even the most jaded sophisticate. The other tower had the tourist attractionthe observation deckbut when people wanted to feel partof the view, they came to Windows. You'd be mesmerized by the civilization that lay just outside that windowthe harbor, the boroughs, the bridges. Windows felt like New York's crown. When people were up there, they felt like the jewelin the crown." I'll miss being one of those lucky baubles.
Amid all the hideous mayhem, the view from an otherwise shattered Broadway has been improved by the fact that Urinetownjust transferred there in hopes of filling the need for someanylightness and buoyancy. Color me superficial again, but since civilized entertainment is as important to me as air and food, I strapped on my Depends and ran there with bells on. Urinetown's not your typical escapist show, mind you. It's about a metropolis whose water shortage prompts an evil tycoon to charge poverty-stricken citizens for the use of public bathrooms. Party? No, but the premise is mainly an excuse to be nudgily clever while relentlessly poking fun at the conventions of the musical genre. (My favorite moment comes when the bound and gagged heroine carries on the choreography anyway.) The show was more surprising in a tiny theater, but it's still a riot of satire and staging, and the let-freedom-ring theme couldn't be timelier. My only complaint about this Three Peepee Operais that number two is only mentioned once. Is thatwhere Broadway draws the line?
MTV apparently draws it at new boy bandsit's almost impossible to break a cutie combo on the channel these days, especially with its new somber toneso testoster-pop Svengali Lou Pearlmanwent elsewhere to start up his latest bunch of boppers. His new male group, Natural, is being marketed strictly through Claire's Accessories stores, a plan Pearlman claims has made the band bigger than hair barrettes. I can see why, having met the Naturals and finding thatunlike those other bands, where there's at least one bottle rocket and one survivor of inbreedingthese guys are allscarily attractive and personable. What's more, they really are a bandthey insist they can play instruments and were together for over a year before Pearlman made them into a flashy teeny accessory. In other words, they didn't audition, they just were!
To paraphrase an 'N Synchit"Bi Bi Bi"my recent remarks about Anne Hechemay have been a bit harsh. If she's really sexually label-free, maybe we shouldn't treat her relationship with a man (even a man with a gigunda gay vibe) any less respectfully than we did her lesbian one. And if her dadwas label-free (and very twisted), I guess he could have had a wife, boyfriends, and a craving for his tiny daughter too. Anne's life redefines the rules, and we might want to believe her, even if her claims (and alter ego) are from outer space and her memoirs are titled Call Me Crazy.
As for poor Mariah Carey, she bolted the cobweb to do promo, only to find that no one wantspromo right now, especially for the deeply misguided Glitter. It's a tawdry compendium of every showbiz cliché ever imaginedevery two seconds, some character emerges to say, "God, you're talented!"that drew derisive guffaws at the press screening last week. (Only the seriously dated shot of the World Trade Center got serious applause.) Mariah plays an '80s dance diva who romances a DJ-producer and misses her mother. She's basically Madonna!