By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
"I was almost through with my appointment," Lomonaco told me last week, "when the optometrist noticed people evacuating and said, 'Something happened. We've got to get out of here.' As soon as I got out that door, I knew it was something completely dreadful. I ran across Church Street and looked back up at the buildings, and tower one was clearly on fire. That's the building where Windows was."
The master chefthe sunniest one I've ever knownwas deeply shaken, grappling with the personal impact of the horror. "I thought of all the people who were working," he said, somberly. "It encompassed every departmentkitchen workers, prep cooks, pastry cooks, accounting, wait staff, housekeeping. Personally, I feel a great sense of loss for all of my friends and coworkers. It's a completely unimaginable catastrophe. It's a miracle that I wasn't up on that elevator."
And it's a shamecall me superficialthat there's no more Windows on the World, which was such an integral part of the city's entertainment landscape that it merits its own wake. "It was such a romantic place," said Lomonaco, "that it appealed to even the most jaded sophisticate. The other tower had the tourist attractionthe observation deckbut when people wanted to feel part of the view, they came to Windows. You'd be mesmerized by the civilization that lay just outside that windowthe harbor, the boroughs, the bridges. Windows felt like New York's crown. When people were up there, they felt like the jewel in the crown." I'll miss being one of those lucky baubles.
Amid all the hideous mayhem, the view from an otherwise shattered Broadway has been improved by the fact that Urinetown just transferred there in hopes of filling the need for someanylightness and buoyancy. Color me superficial again, but since civilized entertainment is as important to me as air and food, I strapped on my Depends and ran there with bells on. Urinetown's not your typical escapist show, mind you. It's about a metropolis whose water shortage prompts an evil tycoon to charge poverty-stricken citizens for the use of public bathrooms. Party? No, but the premise is mainly an excuse to be nudgily clever while relentlessly poking fun at the conventions of the musical genre. (My favorite moment comes when the bound and gagged heroine carries on the choreography anyway.) The show was more surprising in a tiny theater, but it's still a riot of satire and staging, and the let-freedom-ring theme couldn't be timelier. My only complaint about this Three Peepee Opera is that number two is only mentioned once. Is that where Broadway draws the line?
MTV apparently draws it at new boy bandsit's almost impossible to break a cutie combo on the channel these days, especially with its new somber toneso testoster-pop Svengali Lou Pearlman went elsewhere to start up his latest bunch of boppers. His new male group, Natural, is being marketed strictly through Claire's Accessories stores, a plan Pearlman claims has made the band bigger than hair barrettes. I can see why, having met the Naturals and finding thatunlike those other bands, where there's at least one bottle rocket and one survivor of inbreedingthese guys are all scarily attractive and personable. What's more, they really are a bandthey insist they can play instruments and were together for over a year before Pearlman made them into a flashy teeny accessory. In other words, they didn't audition, they just were!
To paraphrase an 'N Sync hit"Bi Bi Bi"my recent remarks about Anne Heche may have been a bit harsh. If she's really sexually label-free, maybe we shouldn't treat her relationship with a man (even a man with a gigunda gay vibe) any less respectfully than we did her lesbian one. And if her dad was label-free (and very twisted), I guess he could have had a wife, boyfriends, and a craving for his tiny daughter too. Anne's life redefines the rules, and we might want to believe her, even if her claims (and alter ego) are from outer space and her memoirs are titled Call Me Crazy.
As for poor Mariah Carey, she bolted the cobweb to do promo, only to find that no one wants promo right now, especially for the deeply misguided Glitter. It's a tawdry compendium of every showbiz cliché ever imaginedevery two seconds, some character emerges to say, "God, you're talented!"that drew derisive guffaws at the press screening last week. (Only the seriously dated shot of the World Trade Center got serious applause.) Mariah plays an '80s dance diva who romances a DJ-producer and misses her mother. She's basically Madonna!