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Not Hop, Stomp

THE WALKMEN
Everyone Who Pretended to Like Me Is Gone
(Startime International)
Just what we always wanted—Jonathan Fire*Eater grows up. Put some DreamWorks money into a studio, that was mature. Realized Radiohead was the greatest band in the world, brainy. Stopped playing so fast, hoo boy. And most important, switched vocalists from Nick Cave imitator to Rufus Wainwright imitator. Wainwright makes up better melodies with a dick in his mouth, and not only that, Cave has more literary ability. New York scene or (hint hint) no New York scene, DreamWorks isn't buying. C PLUS


MUST TO AVOID

LAURYN HILL
MTV Unplugged 2.0
(Columbia)
Probably not the worst album ever released by an artist of substance—there are all those Elvis soundtracks. But in the running. Full-length double-CD of wordy strophic strolls that often last six, seven, eight minutes, accompanied solely by a solo guitar Hill can barely strum (the first finger-picked figure occurs on track 10, where it repeats dozens upon dozens of times, arghh). Unlike Hill herself, who during one of many spoken-word breaks tells the adoring multitude that her singing voice has been roughed up by a late night (but not how weak it is when she gets her eight hours), the melodies do not assert themselves. Inspirational Patter: "Every single one of these songs is about me first." Makes them realer, aight? D MINUS

MUST TO AVOID

WOW HITS 2003
(Sparrow)
Christians—they're back, they're bad, get mad at them. Not that the pap on this annual bestseller suggests the lust for power of the new suburban zealots—just their slickness, their bad faith, and their skin color (with Cece Winans tokenizing as hard as she can). What unites all 30 "hit songs from Pop, Rock, Adult Contemporary and even Worship genres" is derivativeness—a year or a decade behind the times, these artists live and breathe music like Bush lives and breathes freedom—and their use of the second person to refer to Jesus. So far, their bestseller status is strictly relative—triple-platinum P.O.D. sound like Nirvana plus Public Enemy by comparison. In a nation tipping evangelical, this failure to move units is a blessing. But the new suburban fascism being what it is, don't bet it'll last forever. E PLUS

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