By Christian Viveros-Fauné
By Miriam Felton-Dansky
By Tom Sellar
By Tom Sellar
By Jessica Dawson
By Tom Sellar
By R. C. Baker
By Tom Sellar
Amid all the humiliation and idiocy, the bug-eating and catfighting, reality TV's noble potential has mostly been squandered. Leave it to PBS to salvage the genre's reputation, with what it calls "hands-on history"programs that whisk participants back in time to experience everyday life, like a televisual Colonial Williamsburg. Historical advisers ensure they do it right, down to the last fanatical detail. In 1900 House, the inhabitants of a painstakingly restored home had to deal with the horrors of authentic Victorian food and the absence of labor-saving technology; 1940s House forced a plucky British family to cope with food rations and Nazi air raids. Frontier House sent several families back to 1883 Montana, where they had to build log cabins and forage for vittles, leaving them near starvation after six months.
Whether you're a history buff or not, these shows are strangely addictivea perfect blend of Survivor and Simon Schama, voyeurism and edification. And now the producers of those miniseries unveil Manor House.It's a juicy exploration of class that injects historical commentary into every amusing episode. One upper-middle-class British family, the Oliff-Coopers, was chosen to spend three months in luxury and languor at a posh English mansion called Manderston. Another 13 ordinary people agreed to be their unfortunate servants. I say unfortunate because Manor House doesn't mollycoddle these folksmany work 16-hour days without any time off for weeks on end.
A few of the servants fall into their roles shockingly fast. Mr. Edgar, a Scottish architect in his 21st-century life, mutates instantly into a brittle, starchy butler whose fealty to his master outdoes even that of Anthony Hopkins's obsequious manservant in Remains of the Day. Edgar is determined to follow Edwardian customs, and his attempts to teach his charges the meaning of hard work leave him an emotional basket case. "What's the matter with the young ones? What did they think they were going to do here? Appear on television for 20 minutes and swan around?" There's no time for swanning around when your duties include emptying bedpans, keeping the oven stoked, and washing 180 pieces of porcelain and silverware for every meal. Edgar develops a fatherly affection for his staff, but they inevitably disappoint him. "Betrayed!" he whispers through trembling lips after he finds his favorite footman sleeping off a hangover in a meadow rather than hard at work.
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The master of the house, businessman John Oliff-Cooper, takes to his role as if he were born to this very manor, lording it over his minions with appalling gusto. The rest of his clan is more ambivalent, though his wife, Annaa high-powered ER doctor in real lifeeventually surrenders to her role as a wispy Edwardian dress-up doll. "It's amazing to be so cared for," she utters dreamily. "To have so many people running around after you is just . . . magical." Not so enchanting for the servants, of course. They almost launch a mutiny, agitating for better treatment. Right on cue, members of a socialist club arrive to fuel discontent; the narrator deftly points out that in 1905, servants' options were expanding as work in shops and factories became more common.
Unlike most reality shows, Manor House doesn't go out of its way to catch participants in compromising situationseven when there's a steamy fling in the downstairs quarters, the camera offers us a strictly G-rated version. The closest thing to dirty talk is when Anna discusses her fussy Edwardian underwear: "Judging by my husband's reaction, it's a man's fantasy . . . corsets and crotchless underpants and suspenders." These historical docudramas love to zoom in on all the uncomfortable, mundane details: In 1900 House, the mother explained grooming rituals ad infinitum, and in Manor House, the female servants are aghast to learn that they'll be using wads of fabric instead of modern-day sanitary napkins. The fixation on ancient minutiae isn't restricted to women. In the first episode of Warrior Challenge, another historical reality miniseries running next week on PBS, men volunteer to live like Roman centurions. Although they do learn to fight in armor, the guys also obsess over stuff like lace-up underpants and iron masks that make them look like rejects from Mr. Personality.
These petty inconveniences are fascinating, but the real agonies of Manor House aren't physicalthey're emotional. Manderston's workers are expected to remain silent and invisible while their endless labor goes unacknowledged, and the skillful editing gets this across through the characters themselves. "All we have to look forward to is bedtime," housemaid Becky confides to the camera one night. "People seem to forget that we're human."
Deprivation, endurance, teamwork, humility. The staff of Manor House should enter themselves in Eco-Challenge, because after three months of incessant toil they've got the right stuff to cross the finish line. An exhilarating annual adventure race now in its eighth year, Eco-Challenge is the less glitzy sibling of Survivor. Both projects sprang from the brain of producer Mark Burnett, a former British paratrooper-turned-reality-TV mogul who sends teams thrashing through the jungles, mountains, and deserts of a chosen localethis time Fiji. This year, 81 teams from all over the world started the race, but only 10 made it to the end. The rest succumbed to bad luck (broken equipment, poor navigation) or injury (bike accidents, poisonous eels, falling into ravines).