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There's shiny, giddy theater in the area too, replete with after-parties. A bash at the Ars Nova Theater brought out fresh faces of TV comedy like The Daily Show's Mo Rocca, who gets more play on VH1's I Love the '80s than I've gotten in a whore's lifetime of sound bites. What's that like? "I feel like one of the main purveyors of what can only be described as television crack," said sardonic Mo. "When people of any social stratum start watching it, they can't stop. It's the New York magazine of television shows. No one wants to admit they read New York, but they do." (I'll admit it. I'm even the proud owner of a "student" subscriptionfor two decades now!)
Mo's background? He worked on a PBS show "about a dog that dresses up in various classic roles." Then he joined the world of dress-down by editing Perfect 10, "the only magazine that features models without breast implants." Are there such things? "Yes," he said, "but you have to import them from former Warsaw Pact countries." He was serious.
My Freudian Sip all over my Freudian slip, I implanted myself on the "Boathouse Rocks" amfAR benefit at Tavern on the Greeneven farther away from Chelseawhich had so many food stations that I spent the night pushing past secretarial types to grab yet one more ceviche. En route, drag star Coco LaChine told me she just directed her first porno film, called The Bachelor, and it puts the sin back in single. By the crab cakes, bachelor Liev Schreiber told me about the fully clothed Henry V he's doing in the park. "It's clunky," he said, "but it's supposed to be. It's a really big play. It's one of those plays that, every time there's a war, it suddenly becomes much more intense." And since Henry attacks France, the "freedom fries" crowd will probably come out in droves, right? Nah, said Liev, "the theater is full of liberals, and we've got a socialist English director." "Oh good," I said through a mouthful of bouillabaisse.
That inevitably led me to Chloë Sevigny, who's in Vincent Gallo's The Brown Bunny, which reportedly just terrorized France via the Cannes Film Festival. I asked Chloë if she's dating Gallo again, and she moaned, "Let's not talk about that," and ran for her life. I chased her down and asked her, more generally, about her career. "It's picking up," she said. "I made a movie in South Africa about AIDS. I play a novice." "Oh good," I said through a mouthful of new potatoes.
The next thing I knew, I was dabbing my lips with K-Y at a W Hotel party for the liquid's other uses, hosted by costumer Patricia Field, who takes the can't out of lubricant. The place was decked out as an exhibit of helpful suggestions, from "use it to slide rings on" (that came from a jeweler, naturally) to "use it to remove adhesive price tags." (No, that wasn't from Winona; they meant after you buy something.) By the way, Field has slid into doing a book for HarperCollins, co-written with club empress Chi Chi Valenti. "It's a complete inversion of a style book," Chi Chi informs me, "telling you how to find your own natural beautyhow to be more like Pat." No title yet, but I suggest either Field of Dreams, Playing Field, or just It's Pat.
As for the show Pat dressesSex and the CityHBO aptly screened its final season's premiere at the American Museum of Natural History, where the display animals are undoubtedly all male. The first episode was a little too rote, though I did love Kim Cattrall having to un-handcuff her insider-trading stud from the bed so the FBI could use their own cuffs. But episode two brought back the old zing, especially when Cattrall says her motto is "Fuck me badly once, shame on you. Fuck me badly twice, shame on me."