By Steve Weinstein
By Bryan Bierman
By Lindsey Rhoades
By Chaz Kangas
By Ben Westhoff and Sarah Purkrabek
By Jena Ardell
By Jesse Sendejas Jr.
By Katherine Turman
Resonating frontman James Mercer lays the groundwork with a ballad that rhymes like Simon and Garfunkel's "The Boxer" through "da da da" 's and lyrics about fighting to make your way, before his bandmates layer on Cure synths and beats echoing Bunnymen blues. In "Kissing the Lipless," Wire's minimalism breaks into thrashing walls of My Bloody Valentine shoegaze, whereas "Turn a Square" bobs Beach Boys-style with the hyperactivity of pre-Revolver Beatles.
Mercer can be as elliptical as Frank Black or Stephen Malkmus ("Unite me, I've said no vow/The train is getting way too loud"). But unlike them, Mercer plainly carries his torch and advises likewise. Whether by hard work or dumb luck, he knows every man gets his due.
The Shins play Maxwell's October 22 and the Bowery Ballroom October 25.