By Seth Colter Walls
By Brett Koshkin
By Spencer Wilking
By Christina Black
By Calum Marsh
By J. Pablo
By Phillip Mlynar
By Jenna Sauers
As much fun as it was, Cherry, trombonist Josh Roseman's first CD as a leaderreleased in 2002, but presumably recorded a few years earlieramounted to a résumé. There was an endorsement from Roswell Rudd, a guest shot by Lester Bowie, and covers of Sun Ra, the Beatles, Marvin Gaye, Burt Bacharach, Led Zeppelin, and Nirvana (a riotous "Smells Like Teen Spirit" that puts the Bad Plus to shame). It all seemed calculated to let you know where Roseman was coming from. He was an eclectic in a lineage of great singing horns.
On the new Treats for the Nightwalker, Rosemana valuable sideman with Dave Holland and Don Byron, among otherstries with mixed results to get down to business and establish himself as a composer and bandleader. UFO grooves, jagged guitars, an edgy string quartetthe tunes move along in a demented blur, suffering a bit from information overload. Then along comes "Long Day, Long Night," and quicker than you can say Don Drummond, Roseman uncorks a fat and brassy solo over a rock-steady beat, and you sense his vast potential. Of necessity, he makes do with fewer instruments in clubs, where the problem becomes solos that go on far too long for his grooves to sustain themselves. But it's worth being there because sooner or later he's going to find the right balance.
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