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Chicken Pun: Pet Rooster Spurs Farm Boy's Homo Awakening

A terse coming-of-gay dramedy, The Mudge Boy boasts all the ingredients necessary for maximum indie voltage: a socially awkward teen protagonist with a funny last name; a bland, anywheresville setting; and a supporting cast of intolerant yokels to whom urban audiences can feel superior. Director Michael Burke's first feature arrives fresh from the Sundance incubator (his screenplay was developed at the writers lab, and the completed project debuted in competition), but despite its chic pedigree, the film projects a shy modesty, a virtue largely attributable to Emile Hirsch's unflashy performance as the titular 14-year-old farm boy—an outcast with many eccentricities, not the least of which is his tendency to stick the head of his pet rooster in his mouth.

Poultry returns: Hirsch
photo: Strand Releasing
Poultry returns: Hirsch

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The Mudge Boy
Written and directed by Michael Burke
Strand, opens May 7, Quad

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Farm animals, being the object of much teenage sexual experimentation, provide a significant backdrop to this tale of homo awakening. Duncan Mudge meets his first crush, Perry (Tom Guiry), over the wet muzzle of a plow horse, and they subsequently bond in cattle barns and chicken coops. Burke renders his protagonist's dysfunctionality in mile-wide strokes: Overly attached to the memory of his deceased mother, Duncan wears her clothes around the house, to the consternation of his stoic father (Richard Jenkins). Needless to say, Duncan's oral/poultry fixation registers as a kind of fellatio, while his name (Dunkin' Fudge) presages a rape scene involving the increasingly homophobic Perry. Goofily handsome, Hirsch inhabits his character's outsiderness with compassion, whether he's warbling a hymn to an inattentive church congregation or sweetly ingratiating himself to the local cool kids. The Mudge Boy ultimately tips over into teary reconciliation, but at least it's a movie that readily admits to wanting its chicken and eating it too.

 
  • Harlequin Davidson 03/16/2010 3:25:00 PM

    That should read "I have had enough of gay films which tell us what to think..."

  • Harlequin Davidson 03/16/2010 3:22:00 PM

    I just watched a DVD of this and really liked it, mostly because it was basically ambiguous. Who's the real gay person in this film, the homophobic tough guy Perry or the sweet gentle-natured, slightly weird Duncan who has a crush on Perry. I can actually see Duncan turning out straight later on, and Perry after doing a spot of gay-bashing, turning out rather macho gay. Duncan is only 14, and so could well be going through a phase. Of course, this may not be the case. He's a dysfunctional misfit who does 'weird' things like talk to chickens and cows. He's a small weak boy who is obviously drawn towards the bigger and stronger Perry. He could get over that 'phase', though he probably won't. The film leaves that question open, which is what I like. I have had of gay films which tell us what to think and fit everything into neat political categories. My one quibble with the film is that I found the ending a little too forced and abrupt. But on the whole a film that makes you think about its characters.

 

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