With Tobacco as a Stimulant, Lovelorn Mexicans Flirt With Destiny

The great theme of the Mexican New Wave—the relationship between chance and destiny—fuels the fast-paced and stylish comic caper movie Nicotina, a film, its co-producer says, about "the darkest part of the cigarette." Unfolding in real time, Nicotina's three separate stories (each one featuring a frustrated smoker) come together during the course of one night in Mexico City.

photo: Arenas

Smoking guns: Ochoa, Luna, Crespi

Details

Nicotina
Directed by Hugo Rodríguez
Arenas
Opens August 20

Related Content

• LOVE THEM BACK
  December 29, 2010
• Chow Down On Your Favorite Dead Stars' Recipes
  October 4, 2011
• Biutiful More Bloated than Babel, Even with Bardem
  December 29, 2010
• Live: Travie McCoy and Pete Wentz's Black Cards Get Emotional at the Gramercy Theatre
  March 24, 2011
• Mars Volta Frontman Omar Rodriguez Lopez's "Semi-Autobiographical Tale of a Twentysomething Misfit's Loopy Trip Through Manhood" to Screen at Tribeca Film Fest
  March 26, 2010

More About

• Lolo
• Martin Salinas
• Marta Belaustegui
• Diego Luna
• Y tu mama tambien

Like this Story?

Sign up for the NY Bites Newsletter: (Sent out every Wednesday) Bite into the week's top local food news and events, new restaurant openings and closings, foodie news and gossip, and much more for you to chew on.

Privacy Policy Cancel Continue

Diego Luna (Y Tu Mamá También) stars as Lolo, a lonely computer hacker who manages to crack a Swiss bank's secret code but still can't make his way into the heart of his lovely cellist neighbor (Marta Belaustegui). A pair of amateur thugs—Nene (sexy newcomer Lucas Crespi) and his aging sidekick (Jesús Ochoa)—team up with Lolo to sell the bank's information to some Russian mobsters. Their paths intersect with those of two unhappily married couples: a meek-mannered barber (Rafael Inclán) whose harridan wife (Rosa María Bianchi) dreams of a more luxurious life, and an irritable pharmacist (Daniel Giménez Cacho) whose long-suffering spouse (Carmen Madrid) has finally (and hilariously) had enough.

A collaboration between three Argentine-born filmmakers—director Hugo Rodríguez, screenwriter Martin Salínas, and co-producer Laura Imperiale (working with Martha Sosa Elizondo, producer of Amores Perros)—Nicotina has an international feel to it. Its characters are recognizable types (perhaps a touch too much so); its seedy Latin downtown could be just about anywhere. Skillful editing and Salinas's sassy script keep our attention focused, from first puff to last drag. What does it mean? Not all that much, really—just a pleasurable hour and a half passing, like an extended cigarette break.