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Scottish Dances Pace Holiday Revel, Delighting With Their Precision
Eva Yaa Asantewaa
Tuesday, January 11th 2005
At two and a half hours, New York Revels' winter solstice fete—devoted, this year, to Scotland's artistry—was as overstuffed as a holiday goodies basket. Lovely singing and Highland flinging and storytelling and mumming stretched late into the day. A piper piped and a fiddler fiddled and the audience snaked around. On a stage festooned with evergreen, dozens of hearty performers offered instrumental pieces, poems, songs, and dances that flowed together seamlessly. A low-key gentleness prevailed, but one number—Half Moon Sword's performance of the traditional Papa Stour Sword Dance of the Shetland Islands—electrified. Ten woman dancers presented themselves as soldiers with their long swords at the ready. With hilts and tips gripped in their fists, they formed a continuously moving chain whose increasingly complex rearrangements were rendered with the ease of wielding not a weapon but a silver needle and silken thread.
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