A Suitably Pyrotechnic Revisitation of Coltrane's Signature Testimony

photo: Jazz at Lincoln Center

Branford gets it right.

Details

Branford Marsalis Quartet
Coltrane's A Love Supreme
Live in Amsterdam
Marsalis Music

Related Content

• Club d'Elf
  November 30, 2011
• Your CMJ 2010 Panels, Cynically Summarized: Day 4 (Friday)
  October 22, 2010
• A Replacements Doc With No Replacements Music: Color Me Obsessed
  November 16, 2011
• Wayne Shorter Quartet
  February 2, 2011
• What to Drink at Silver Lining: The Blue Collar
  September 29, 2011

More About

• Branford Marsalis
• Tain Watts
• Miles Davis
• Joey Calderazzo

Like this Story?

Sign up for the Music Newsletter: (Sent out every Thursday) Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy Cancel Continue

Released on both audio and video in one package, Branford Marsalis's live version of A Love Supreme gets it right. Coltrane's four-part suite was his religious testimony; Marsalis is chasing Coltrane, not salvation, but whereas his earlier attempt on Footsteps of Our Fathers left him panting, here he keeps pace with a display of saxophone pyrotechnics comparable to Coltrane's, though very different in character. His tone is lighter and his phrasing bluesier, especially on "Pursuance" (the second movement, and more or less Miles Davis's "Nardis" turned upside down), where his gradual ascent into the scream register shows he knows the difference between building to a climax and giving in to self-induced frenzy. And though his mano a mano with drummer Tain Watts is almost as brutal as Coltrane's with Elvin, some of the theme statements are so abstract ("Acknowledgement" 's, for example) that you recognize the familiar melodies only from Joey Calderazzo's piano chords. This is the Branford Marsalis we've been waiting for. He does honor to a classic while finally emerging as his own man.