Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!
Become a Fan of The Village Voice on Facebook
169 Bar Nyc
• website • view ad
92nd St.y   Tribeca
• website
Al B Entertainment
• website
Bb Kings
• website • view ad
• buy tickets
The Bitter End
• website • view ad
Blender
• website • view ad
Blue Note
• website • view ad
Bowery Ballroom
• website • view ad
Fat Cat/smalls
• website • view ad
Hammerstein Ballroom
• website • view ad
Highline Ballroom
• website • view ad
• buy tickets
Iridium Jazz Club
• website • view ad
• buy tickets
Irving Plaza
• website • view ad
• buy tickets
Knitting Factory
• website • view ad
Le Poison Rouge
• website
Nokia Theatre
• website • view ad
• buy tickets
Pianos
• website • view ad
• buy tickets
Radegast Hall & Biergarten
• website • view ad
Red Lion
• website • view ad
Roseland
• website • view ad
Sounds Of Brazil
• website • view ad
• buy tickets
Southpaw
• website • view ad
• buy tickets
Spike Hill
• website • view ad
Sullivan Hall
• website • view ad
The Bell House
• website
The Studio @ Webster Hall
• website • view ad
Music

Share

  • rss
Music

Chewing Wild Oats on the Farm

Darius Rucker proves that inoffensiveness still has its heartland place

Mikael Wood

Tuesday, August 16th 2005

Now that his old VH1 compatriot Rob Thomas has traded the namby-pamby roots-pop with which he once conquered every sports bar in America for a sexed-up disco-rock useful for seducing daughters of Mick Jagger, it's up to Darius Rucker to prove there's still an appetite for inoffensive heartland aphorisms set to handsome, tuneful chunk-strum. (Actually, considering his 2002 neo-soul solo disc and the arty, sexed-up Burger King spot he starred in earlier this year—as a bejeweled rodeo singer under the direction of glam-king photog David LaChapelle—Rucker has to prove that predigested oatmeal is still his bag too.)

Not to worry: Looking for Lucky, the first album of new Blowfish material since last year's Atlantic-era best-of, is as familiar and reassuring as a rerun of Best Week Ever. Inevitably, Rucker and his bandmates don't sound as major league as they used to, but that's not necessarily a handicap. There's a hard-won farm team warmth to the accurately titled "Waltz Into Me" and "Leaving," about Rucker standing near the ocean in his birthday suit (an image even LaChapelle might resist). As the singer observes in "State Your Peace," "It's like driving down the middle of the road with no hands on the wheel."


Hootie & the Blowfish play the North Fork Theatre in Westbury, NY, August 28.

Recent Articles

More by Mikael Wood

Most Popular