Share
Intelligent Design: Eliot Feld Responds to a Steve Reich Score
Tobi Tobias
Tuesday, October 11th 2005
In the foreground, the Juilliard Percussion Ensemble, ready to grapple with Steve Reich's 1971 ecstatic steady-pulse Drumming. Dominating the background, Mimi Lien's huge wooden sculptural precipice. After the four drumbeats that initiate the score are struck, Juilliard's svelte, heroic dancers appear one by one at the top of the structure and start sliding down—flat on their backs, feet first—in improbably slow motion. Upon touching bottom, they stand to ascend their Everest, then repeat the sequence again and again. With his latest obsessive, equipment-based work, Sir Isaac's Apples, Eliot Feld makes the laws of gravity visible—and thrilling. The initial configurations expand and escalate into new positions in the falling and rising, complex groupings, and varied speeds. The feat is Sisyphean; the calm, Olympian. Abetted by the hypnotic effect of the music, the dance seems to offer a God's-eye view of a human colony persevering in a faraway landscape.
Site Search «
Most Popular
-
The Strangest Landlord-Tenant Relationship In Town? Stacked up in cubicles for decades, immigrants living in a Bowery tenement may have a very unusual situation.
-
Spike Jonze Can't Quite Get Spirit of Where The Wild Things Are On Screen Max and the gang's all here. Let the mild rumpus start!
- A Bloomberg Score Card: The Mayor's Hits and Misses
- We've Bailed out the Banks. When Do We Go After the Crooks Behind our Financial Collapse?
- On Michael Jackson's Mercifully Goofy, Cheerful This Is It
| buy, sell, trade 10,245 | musician 3,613 |
| rentals 12,896 | jobs 1,972 |
| adult entertainment 34,887 | |
| classifieds | backpage.com | Post ads for free! | |
|---|---|