By Anna Merlan
By Anna Merlan
By Julie Seabaugh
By Jon Campbell
By Albert Samaha
By Anna Merlan
By Alex Distefano
By Scott Snowden
And it's precisely this logic that provides the real magic in a place like LambdaMOOnot the fictive trappings of voodoo and shapeshifting and wizardry, but the conflation of speech and act that's inevitable in any computer-mediated world, be it Lambda or the increasingly wired world at large. This is dangerous magic, to be sure, a potential threatif misconstrued or misappliedto our always precarious freedoms of expression, and as someone who lives by his words I do not take the threat lightly. And yet, on the other hand, I can no longer convince myself that our wishful insulation of language from the realm of action has ever been anything but a valuable kludge, a philosophically damaged stopgap against oppression that would just have to do till something truer and more elegant came along.
Am I wrong to think this truer, more elegant thing can be found on LambdaMOO? Perhaps, but I continue to seek it there, sensing its presence just beneath the surface of every interaction. I have even thought, as I said, that discussing with Dr. Jest our shared experience of the workings of the MOO might help me in my search. But when that notion first occurred to me, I still felt somewhat intimidated by his lingering criminal aura, and I hemmed and hawed a good long time before finally resolving to drop him MOO-mail requesting an interview. By then it was too late. For reasons known only to himself, Dr. Jest had stopped logging in. Maybe he'd grown bored with the MOO. Maybe the loneliness of ostracism had gotten to him. Maybe a psycho whim had carried him far away or maybe he'd quietly acquired a third character and started life over with a cleaner slate.
Wherever he'd gone, though, he left behind the room he'd created for himselfa treehouse "tastefully decorated" with rare-book shelves, an operating table, and a life-size William S. Burroughs dolland he left it unlocked. So I took to checking in there occasionally, and I still do from time to time. I head out of my own cozy nook (inside a TV set inside the little red hotel inside the Monopoly board inside the dining room of LambdaMOO), and I teleport on over to the treehouse, where the room description always tells me Dr. Jest is present but asleep, in the conventional depiction for disconnected characters. The not-quite-emptiness of the abandoned room invariably instills in me an uncomfortable mix of melancholy and the creeps, and I stick around only on the off chance that Dr. Jest will wake up, say hello, and share his understanding of the future with me.
He won't, of course, but this is no great loss. Increasingly, the complex magic of the MOO interests me more as a way to live the present than to understand the future. And it's usually not long before I leave Dr. Jest's lonely treehouse and head back to the mansion, to see some friends.