Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!
Become a Fan of The Village Voice on Facebook
169 Bar Nyc
• website • view ad
92nd St.y   Tribeca
• website
Al B Entertainment
• website
Bb Kings
• website • view ad
• buy tickets
The Bitter End
• website • view ad
Blender
• website • view ad
Blue Note
• website • view ad
Bowery Ballroom
• website • view ad
Fat Cat/smalls
• website • view ad
Hammerstein Ballroom
• website • view ad
Highline Ballroom
• website • view ad
• buy tickets
Iridium Jazz Club
• website • view ad
• buy tickets
Irving Plaza
• website • view ad
• buy tickets
Knitting Factory
• website • view ad
Le Poison Rouge
• website
Nokia Theatre
• website • view ad
• buy tickets
Pianos
• website • view ad
• buy tickets
Radegast Hall & Biergarten
• website • view ad
Red Lion
• website • view ad
Roseland
• website • view ad
Sounds Of Brazil
• website • view ad
• buy tickets
Southpaw
• website • view ad
• buy tickets
Spike Hill
• website • view ad
Sullivan Hall
• website • view ad
The Bell House
• website
The Studio @ Webster Hall
• website • view ad
Music

Share

  • rss
Music

Reading With Guitar

Catchy romantic with guitar—and book deal

Robert Christgau

Tuesday, February 7th 2006

Sporting jeans, plenty of eye makeup, and bling on her ring finger, Jen Trynin brought a guitar to her first headline gig here in nearly a decade, a February 6 reading at the Astor Place Barnes & Noble. Cockamamie yielded the failed hit "Better Than Nothing," which corporate heads would have called "Feelin' Good" even though Trynin's title better conveys the romantic ambivalence that makes it more than a hook. Would have been nice to hear "Happier," a sneaky-fast meditation on youth violence that finds its sociological correlative in the catchy, disillusioned "All This Could Be Yours." But instead Trynin sang two love songs from Gun Shy Trigger Happy, which, lyrically, is a sad, true, subtle road album, dominated by the romantic connection she's afraid she's losing: "I miss the time when I could never lie to you/I would never have anything to hide." For such a wordslinger she's a skilled, expressive guitarist, and both songs were stronger live than on the CD—where, unlike Alanis Morissette, she didn't have quite the voice for the emotionality she was going for, and never developed a band sound as original as Veruca Salt's.

Another musical highlight came when Trynin imitated "BigWig"'s (Don Ienner's?) "Feelin' goo-ood" to add extra spritz to her reading a hilarious Columbia Records scene featuring Toad the Wet Sprocket. The radio spot where the DJ took a powder and Trynin was compelled to interview herself was also a scream. That feeding frenzy left her with plenty of great material.

Recent Articles

More by Robert Christgau

Most Popular