By Jena Ardell
By Jon Campbell
By Alan Scherstuhl
By Tessa Stuart
By Roy Edroso
By Jon Campbell
By Albert Samaha
By Zachary D. Roberts
With a titular euphemism that only a pedophile could love, music video director David Slade makes his foray into the arena of the full-length feature, naturally with a thriller about a thirtysomething trolling for teens on the Internet. Concession stand sales of "Tiny Tarts" should plummet.
Look Both Ways
Veteran animator Sarah Watt has been making her hand-painted shorts for 15 years, but this part-live-action, part-animated dramedy about love and death in contemporary Australia is her feature debut. Train crashes, surprise pregnancies, testicular cancer, and man-eating sharks abound, but none is more traumatic than love.
The Notorious Bettie Page
Before she was enshrined as a national treasure at Hot Topics all over this great land, Bettie Page was a scandalous pinup model, the topic (hot, or otherwise) of this new biopic by director Mary Harron (American Psycho).
Scary Movie 4
Airplane! and Top Secret! director David Zucker took over for the Wayans Brothers with the series' third installment and, for this entry, he reteams with old writing partner Jim Abrahams for this first time since 1988's The Naked Gun. This horror spoof also introduces a new comedy team to rival greats like Abbott and Costello and Martin and Lewis: Dr. Phil and Shaq.
Writer-director Paul Weitz follows his underrated corporate culture comedy In Good Company with an even more ambitious social satire, in which a dim-witted President of the United States (Dennis Quaid) looks to up his approval ratings by appearing as a guest judge on the titular (and blatantly American Idollike) television singing competition.
In a movie that was almost certainly pitched as In the Line of Fire meets The Fugitive, Michael Douglas does his best Clint Eastwood as a loyal Secret Service agent framed for a crime he didn't commit, while Kiefer Sutherland is the Tommy Lee Jones forced to track him down when he cheeses it and goes on the lam.
Kids, get those fake ID's ready for your local art house: Larry Clark's back. In truth, the word from the Toronto FF (where Rockers premiered) is that Clark scaled back his characteristically icky kiddie-porn tendencies and crafted a heartfelt mash note to iconoclastic South Central Latino teens who skew punk rather than G-funk.
Art School Confidential
In this highlight of the spring, Ghost World collaborators Terry Zwigoff and Daniel Clowes reunite for a hilariously brutal excoriation of the art world. The standout among the thoroughly superb ensemble is John Malkovich, who plays a mealymouthed art professor who's spent decades refining his circular (i.e., he draws circles) technique.
Olivier Assayas's new film finds the Irma Vep director reunited with his ex-wife and Vep vixen Maggie Cheung in a story of drugs, rock 'n' roll and redemption. Cheung gives a potent performance as a Courtney Lovelike widow struggling to get clean and a surprisingly not-deranged Nick Nolte plays her conflicted father-in-law.
This real-time account of the events on the only plane hijacked on 9-11 that didn't reach its intended target comes from Brit Paul Greengrass, who has made several docudramas and one of the smartest American action films in recent memory, The Bourne Supremacy.
Resisting the temptation to find the latest nubile French ingenue, match her with a rakish, undiscovered garçon, strip them down, and let them frolic among the hyacinths, André Téchiné reunites Gérard Depardieu and Catherine Deneuve for the seventh time, with Depardieu's character looking to rekindle a 30-year-old romance with a now married Deneuve.
Mission: Impossible III
Is it a new movie or the code name of Tom Cruise's publicists' attempts to alleviate his dude-is-crazy persona? Probably both, but if anything can revitalize this stalled franchise it's the writing and direction of J.J. Abrams, whose Alias is probably the best spy show on television since the original Mission: Impossible.
Nick Cave and longtime cinematic collaborator John Hillcoat reunite for this grisly tale of outback outlaws that's straight out of Cave's Murder Ballads. The full-throated troubadour pens and scores this sun-soaked horse opera about two barbarous brothers (Guy Pearce and Danny Huston) pitted against each other in the Australian badlands by lawman Ray Winstone.
Richard E. Grant, character actor and author of the hilarious memoir With Nails, makes his debut as writer-director with an autobiographical drama that deals with divorce, alcoholism, and Swaziland gaining its independence from England. Could be good, if Grant paid attention while on set with Scorsese, Coppola, or Altman.
With the fake World Cup a foregone conclusion (Dominican Republic wins every game in the "World Baseball Classic" by 843 runs, watch), real sports fans will be hankering for some cinematic excitement before the real deal in June. The dream of a movie about soccer better that Stallone's Victory begins here, or maybe with Arsenal striker Thierry Henry's cameo in Spike Lee's Inside Man.
Just My Luck May 12
After a year that found Lindsay Lohan battling allegations of drug use and bulimia, the actress selected the role of a woman who finds her lifelong string of great luck broken after a single kiss. Wilmer Valderrama, you have a lot to answer for.