By Alexis Soloski
By Molly Grogan
By R. C. Baker
By Christian Viveros-Fauné
By Alexis Soloski
By Alexis Soloski
By Lilly Lampe
While it was Gary Webb who pulled the trigger, the bullet that ended his life was a mere afterthought to the tragic unraveling of one of the most controversial and misunderstood journalists in recent American history. "Dark Alliance" was the first major news expose to be published simultaneously in print and on the Internet. Ignored by the mainstream media at first, the story nonetheless spread like wildfire through cyberspace and talk radio. It sparked angry protests around the country by African-Americans who had long suspected the government had allowed drugs into their communities. Their anger was fueled by the fact that "Dark Alliance" didn't just show that the contras had supplied a major crack dealer with cocaine, or that the cash had been used to fund the CIA's army in Central Americabut also strongly implied that this activity had been critical to the nationwide explosion of crack cocaine that had taken place in America during the 1980s.
It was an explosive charge, although a careful reading of the story showed that Webb had never actually stated that the CIA had intentionally started the crack epidemic. In fact, Webb never believed the CIA had conspired to addict anybody to drugs. Rather, he believed that the agency had known that the contras were dealing cocaine, and hadn't lifted a finger to stop them. He was right, and the controversy over "Dark Alliance"which many consider to be the biggest media scandal of the 1990swould ultimately force the CIA to admit it had lied for years about what it knew and when it knew it.
In the wake of "Dark Alliance," the series and Webb himself was subjected to unprecedented attacks in the mainstream media, which took advantage of the story's most serious flawimplying but failing to prove the CIA helped spark the crack epidemicto assert that the CIA had no ties whatsoever to the drug ring Webb exposed.
Many reporters had written about the CIA's collusion with contra drug smugglers, but nobody had ever discovered where those drugs ended up once they reached American soil. "Dark Alliance" provided the first dramatic answer to that mystery. But in the months following its publication, the story was subjected to ferocious attacks by the nation's biggest newspapers-the New York Times, Washington Post and Los Angeles Times-and soon Webb found himself out of a job. After being assigned to a tiny regional bureau, Webb quit the paper and never worked in daily journalism again.
Nick Schou's new book, Kill the Messenger: How the CIA's Crack Cocaine Controversy Destroyed Gary Webb, examines the tragic unraveling of one of America's most talented yet enigmatic investigative journalists. This excerpt is being printed with the permission of Nation Books. All rights are reserved.
The attacks continued even after Webb's death. The L.A. Timespublished an obituary that ran in newspapers across the country which summed up his life by claiming he was author of "discredited" stories about the CIA. The paper would later publish a lengthy feature story revealing that Webb had suffered from clinical depression for more than a decade-even before he wrote "Dark Alliance." Titled "Written in Pain," it painted Webb as a troubled, manicdepressive man who had repeatedly cheated on his wife, and a reckless "cowboy" of a journalist.
Such a portrait offers only a misleading caricature of a much more complicated man. Interviews with dozens of Webb's friends, family members and colleagues reveal that Webb was an idealistic, passionate, and meticulous journalist, not a cowboy. Those who knew him before "Dark Alliance" made him famous and then infamous say he was happy until he lost his career. His colleagues, with the exception of some reporters and editors at the Mercury Newswho found him arrogant and self-promoting, almost universally loved, respected and even revered him.
The controversy over "Dark Alliance" was the central event in Webb's life, and the critical element in his eventual depression and suicide. His big story, despite major flaws of hyperbole abetted and even encouraged by his editors, remains one of the most important works of investigative journalism in recent American history. The connection Webb uncovered between the CIA, the contras and L.A.'s crack trade was realand radioactive. Webb was hardly the first American journalist to lose his job after taking on the country's most secretive government agency in print. Every serious reporter or politician that tried to unravel the connection between the CIA, the Nicaraguan contras and cocaine, had lived to regret it.
Senator John Kerry investigated it through congressional hearings that were stonewalled by the Reagan administration and for this, he was alternatively ridiculed and ignored in the media. Journalists like the AP's Bob Parry quit their jobs after being repeatedly shut down by their editors. Some reporters, working on the ground in Central America, had even been subjected to police harassment and death threats for pursuing it. Webb was simply the most widely and maliciously maligned of these reporters to literally die for the story.
The recent history of American journalism is full of media scandals, from the fabulist fabrications of The New Republic's Stephen Glass and the New York Times' Jayson Blair to Judith Miller's credulous and entirely discredited reporting on Saddam Hussein's nonexistent weapons of mass destruction for the New York Times, which helped pave the way for the U.S. invasion of Iraq. Webb, despite his stubborn refusal to admit his own errors, hardly deserves to be held in such company. What truly distinguishes his fate is his how he was abandoned by his own employer in the face of unprecedented and ferocious attacks by the nation's major newspapers, the likes of which had never been seen before or occurred since.
The controversy over "Dark Alliance" forced Webb from journalism and ultimately led him to take his own life. Besides Webb, however, nobody else lost a job over the story-nobody at the CIA certainly, and not even any of Webb's editors, who happily published his work only to back away from it under withering media attacks before getting on with their lives and receiving promotions. Gary Webb's tragic fate, and the role of America's most powerful newspapers in ending his career, raises an important question about American journalism in an era where much of the public perceives the fourth estate as an industry in decline, a feckless broadcaster of White House leaks with a penchant for sensationalized, consumer-driven tabloid sex scandals.