Letters

Letter of the week
Regarding Tom Breihan's book review, "Wiggerstock" [January 24–30]: For whatever reason, a white person may listen to hip-hop and absorb the hip-hop culture. To refer to them as "wiggers" implies that black people in turn are referred to as "niggers." Hip-hop beats are amazing. They make you want to move. Couldn't it be as simple as that?
Felicia Brown
Alexandria, Louisiana


Either way, she deserves a licking
Just when I'm about to kill myself comes Michael Musto's brilliant interview with Sarah Silverman ["Sarah Silverman Is My Kind of Cunt," January 24–30]. My faith in humanity has been restored! I wanna suck his dick and lick her inverted pussy!
Travis Newman
Manhattan

Sarah Silverman's greatest regret in this life is that she wasn't born with a penis, hence her overcompensatory jokes about excretion, sex, and race. She's about one-fifth as funny as Dane Cook. Thanks, Voice.
Evangelos Stephanides
Manhattan

I enjoyed Musto's story on Silverman. I remember Sarah from her time on Saturday Night Live, a program that should have been canceled years ago. Instead, because of name recognition, nostalgia, and the ability of the producers to find sponsors, it con- tinues on like a zombie (or more aptly, the current presidential administration?). It's pretty much gone but still walking around bothering everybody. Lucky for us, Silverman, Jimmy Kimmel, Dave NewChappelle, Lewis Black, and others provide some much needed comedy in this era of neocon doublespeak.
Stephen Ernest Smith
Carthage, Missouri

Thank you, Musto, for single- handedly justifying this entire issue of the Voice.
William Jonkers
Middle Village, Queens

Musto's interview with Silverman was brilliant! Please, more Musto and especially more Silverman! I love the Voice.
Nick Houser
Powell River, British Columbia


Or both
Sarah Silverman is sick. Either I'm going insane or so many in the rest of the world are.
Lex Luther
Plattsburgh, New York


Biting remark
As a longtime reader of the Voice, I must say that the paper has lost its bite. I remember looking to the Voice to report on issues no other paper would touch, issues that mattered to the average New Yorker. Now I'm reading about someone's candy addiction, Sarah Silverman, and other nonsense. I think the Voice has lost its soul and forgotten its core audience.
Takisha Sexton
Brooklyn


Iraq and a hard place
Re "Get On the Bus—and the Train and the Carpool" [Sarah Ferguson, January 24–30]: Please tell Ms. Sanchez that her son should not have signed up for the military if he was not prepared to spend time on the battlefield. The brave men and women of our armed forces understand the sacrifices they need to be prepared to make when they sign their enlistment papers. She receives no sympathy from me, but I wish her son Godspeed.
Greg Merkel
Alexandria, Virginia


Painting by numbers
Re "Seeing Dollar Signs" [January 24–30] by Jerry Saltz: While the piece is accurate overall, if not many years too late, I disagree with this:

"For critics to demonize the entire art world . . . as somehow unethical and crass seems self-righteous, cynical, and hypocritical."

The art world is not so much "unethical" as it is simply without ethics entirely. If the art market has a positive effect on anything other than making money, it is by accident. This is true of all markets.

The fact that the art market "allows more artists to make more money without having to work full-time soul-crushing jobs" is not to its credit. If making life harder for artists generated more money then that's what it would do. There is no benevolent or malevolent force behind the art market.

It is not "cynical" to dismiss the art market as having nothing to do with creating better art; it's just a boring, conventional fact about how all markets operate.
Carl Burton
La Jolla, California


Show me the Monet
Jerry Saltz's article on the Whitney ["Moving Arts," January 10–16] was terrific. I attended the museum's January 2006 symposium at the New School regarding the Biennial, featuring its past curators and introducing the new ones from England and France. I left feeling that artists working in New York don't have a chance to show at the Whitney. I actually contemplated moving. Can't do it.

How about some relief for all the women artists out there who are finding it difficult to exhibit their work in solo shows lately? I haven't read statistics like these since the Guerrilla Girls were active.
Meryl Taradash
Manhattan


Playing doom
Children of Men was a cheap thrill ride for self-hating Westerners like J. Hoberman ["Don't Believe the (Lack of) Hype," December 20–26]. In five years it will pale in comparison to real studies of our collapse, like Hour of the Wolf or the novel Dhalgren, themselves cryptic and not as neat as the religious sentimentality that pervades Children of Men.
K. McLeod
Manhattan


Managing Editor
The Village Voice has an immediate opening for a managing editor. This position requires writing, editing, and management skills. The managing editor must be able to guide both experienced and beginning staff writers in producing superior magazine-style stories as well as help supervise the day-to-day operations of the editorial department. The ideal candidate will have a solid background in news. The most promising applicants will be asked to take an extensive editing test. The Voice offers competitive salaries and benefits. Qualified candidates should send a cover letter, a résumé, and clips to the address below.

Staff writers wanted
The Village Voice has openings for staff writers with experience in political and/or media reporting. We're looking for passionate, energetic journalists with well-developed narrative- writing skills and lots of story ideas. Please send cover letter, résumé, and clips to:

David Blum
Editor in Chief, The Village Voice
36 Cooper Square
New York, NY 10003

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