By Bob Ruggiero
By Hilary Hughes
By Peter Gerstenzang
By David R. Adler
By Devon Maloney
By Brian McManus
By Jessica Hopper
By Harley Oliver Brown
A saxophonist so far out he would have slipped by unrecorded were it not for ESP's "only the artist decides" philosophy. But two 1965-67 albums registered his name, and occasionally a live tape surfaces, such as this one from the Moers Festival. It builds on a terrific rhythm section: Bobby Few's crashing piano, Alan Silva's volcanic bass, and on drums, Rashied Ali's brother, appropriately named Muhammad. Wright always brought the noise, and in the end even rocks out. A MINUS
DUD OF THE MONTH
Turtle Island String Quartet
A Love Supreme: The Legacy of John Coltrane
The title suite has lately lost its untouchable status, but nowhere else has it been so trivialized. Jimmy Garrison's signature bass line barely registers on cello, and the violins can't lead at all. With the last two movements reduced to 2:44 and 2:47, all they acknowledge is a lack of ideas. And the disc doesn't let you off easy, slogging on to 64:17 with standard fare like "Naima" and "My Favorite Things"no chance hoping for "Ascension" just to hear them croak.
Additional Consumer News
The Brian Lynch/Eddie Palmieri Project
A steady stream of bubbly percussion, tasty alto sax, and bright trumpet.
Renewed Impressions [Adventure Music]
Trombone samba, the rapid-fire puffs muscling up sly rhythms and flighty melodies.
Carneyball Johnson[Akron Cracker]
Rubber City lounge lizards, hold the tango.
We Used to Dance [Anzic]
A tenor-sax lover's album modeled on Stan Getz, with three-fourths of his late quartet.
Anat Cohen & the Anzic Orchestra
Israeli-Brazilian big band struts with some barbecue.
Marsalis Music Honors Bob French
Even post-Katrina, what worked for Papa Celestin works for his heir.
The Sonic Temple: Monday and Tuesday
Twin-guitar group does eight-song set twice, first night more daring, second bluesierjust like life.
Satoko Fujii/Natsuki Tamura
In Krakow in November [Not Two]
Stripped down to piano-trumpet duets, where parry and joust waxes and wanes.
Uri Caine Ensemble
Plays Mozart [Winter & Winter]
Or plays with, like a cat with a rat.
Live at Jazz Standard: Volume One
In a different venue, could be Smolderin' at the Half Note.
Cookin' at the Corner, Vol. 1 [Origin]
Small-time Louis Prima typeBonnie Eisele is his Keely Smith, but he gets the best laugh with "Bennie's From Heaven."
Pilgrimage [Heads Up]
Impending death focuses the mind, thaws the heart, brings out the best in friends.
Carl Allen & Rodney Whitaker
Get Ready [Mack Avenue]
Motown rhythm guys keep the quiet storm loose and limber.
Vijay Iyer & Rudresh Mahanthappa
Raw Materials [Savoy Jazz]
Rough, unfinished, ill-fitting duets.
From the Plantation to the Penitentiary
As viewed from the penthouse.