By Jared Chausow
By Katie Toth
By Elizabeth Flock
By Albert Samaha
By Anna Merlan
By Jon Campbell
By Jon Campbell
By Albert Samaha
This is exactly what Thomas Edison did to Topsy 104 years ago in Coney Island's Luna Park, a few blocks from Totonno's, where I am currently sitting, shoving pizza into my mouth. Totonno's, whose tin walls are adorned with vintage boxing memorabilia, has been at this location since 1924, which means it was open for business even as Luna Parka fabled fairyland whose architecture was based, believe it or not, on a romantic conception of Baghdadwas welcoming throngs of google-eyed daytrippers.
To my shame, I haven't experienced Coney much lately, unless you count the three times I've watched the 1928 Speedy, in which Harold Lloyd romances his girlfriend in Luna Park, on Turner Classic Movies. The truth is, I haven't been here for decadesnot since my 18th birthday, when my boyfriend, who was a member of the Progressive Labor Party, or the International Socialists, or some such group , took a moment out from leaflet-writing to convince me to ride the Cyclone. (So terrifying was this experience that I have rarely been on a ride since.)
But all this development talkcondos, or a hotel, or even that dreaded entity, the upscale seaside shopping mall, are set to soar over the boardwalk in the next few yearsand the doleful warning that this is the last summer when even the faded, paltry vestiges of Coney's glory days will be visible, have impelled me to come out here and take a look around before it's too late.
The older something is, the better I like it, which is why I start at Totonno's, though the restaurant is actually far younger than so many of the Coney Island attractions I wish I could see: the Elephant Hotelan actual seven-story tin-skinned pachyderm with a cigar shop in one hoof and the Atlantic visible through windows in the eyes (it burned down in 1896); or Dreamland, where the aquarium now stands, which until 1911 offered a miniature village built to resemble a 15th-century Nuremberg and populated by 300 midgets.
The elephants and midgets have vanished without a trace. In their stead, Totonno's now finds itself a stone's throw from the boarded-up Terminal Hotel (even in its heyday not exactly the Plaza Athénée, one suspects) and several memorial street murals in honor of local residents cut down long before their time. After I pay the checka small pizza, a beer, and two Cokes add up to an astonishing $29I walk a few blocks to the boardwalk, where I immediately see something I'd buy if I had deep pockets and a loft: the disintegrating carcass of a rocket ship that reads "Astroland Park" across its fuselage, sure to be on the auction block any day now.
Will the new Coney Island have a fetid alleyway suitable for "Shoot the Freak"a game whose gleeful sadism provides a concrete link to what was considered wholesome fun in the early years of the last century? (No freak in residence today, as it turns outmaybe the developers have shot him already.)
Along the boardwalk, there are frequent markers telling you what beautiful old building formally occupied the site: In 1829, you could have checked into the Coney Island House hotel; a Howard Johnson graced the spot in 1940; in 1923, an event called the Baby Parade, where infants rode in decorated carriages, took place right where you're standing.
You can be sure the new developers aren't planning any Baby Parade. In fact, it'll be a miracle if the Mermaid Parade can hang on, though the legendary Dick Zigunwho is almost single-handedly responsible for the landmark status that now protects the Parachute Jump, the Wonder Wheel, and the Cyclone, who runs the Coney Island sideshow (the last one in the USA!) and the Coney Island Museum (he's got that film of Topsy's execution) and who first thought up the Mermaid Paradeinsists that it's not in danger.
You might think Zigun would be full of unmitigated hatred for the developers, but you would be wrong. "There's a lot of bad information getting out," he says as we sit at a red-and-yellow picnic table, within earshot of the museum's barker extolling acts like Insectavora and the Twisted Shockmeister. "I am not nostalgic at all about empty lots, furniture stores, and bus-parking lots. If the developers are going to build nightclubs and restaurants and rides, I'm all for it. What's wrong with having a 21st-century amusement park?"
"But what about Ruby's?" I ask. "Ruby's is closing. Ruby's and Cha Cha's they will rip down," Zigun says flatly and with an alarming lack of sympathy. Actually, this is devastating newswho doesn't love a place like Ruby's, a boardwalk institution with a soused clientele sitting on dilapidated couches in the back, and thousands of photos of summers past plastered behind the bar? After all, you can buy an $18 mojito in a swanky lounge anywhere in the country, but a beer and an ear of corn within view of the ocean is an increasingly rare and fragile pleasure.