Top

music

Stories

 

Fast, Brutal, and Out of Control

One thing war is evidently good for: metal

Sunday's Thrashfest supposedly started at 4 p.m., but things didn't get underway until well after six. Of the nine bands billed, two didn't show, and the sequencing of those that did left something to be desired. No one seemed to mind, though, as the bar opened at five, giving the 100-strong crowd plenty of time to become sufficiently intoxicated. Furthermore, we had two good reasons to be there: first, the reunion of Virginia's gun-toting speed-metal forefathers, At War; second, the first New York appearance by Canyon Country, California's Merciless Death, who unleashed a complete onslaught, fast, brutal, and precise—in short, everything thrash metal should be. Following in a long line of California bands (including Exodus, Dark Angel, and, yes, Slayer), they make you wonder what the hell they're drinking over there, and whether or not it's legal.

At War inspires polite, reserved audience reaction
photo: Jake Price
At War inspires polite, reserved audience reaction

Details

Thrashfest 2007: World War IV
Europa
August 26

Related Content

More About

Like this Story?

Sign up for the Music Newsletter: (Sent out every Thursday) Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy

After a pill-hazed and somewhat awkward set by Bludwulf, At War took the stage with all the subtlety of Ted Nugent singing the national anthem. Their speaker cabinets draped in red, white, and blue—plus a machine gun perched on Dave Stone's drum kit—the band broke a 15-year-silence here, ripping into a romantic ballad called "Rapechase." One of the originators of what has become an entire genre you could call "war metal," the band shares little with the more technical leanings of the sound's modern purveyors—At War remains locked in 1983, primitive and fast, equal parts Hellhammer and Motörhead. And while his band makes no secret of their allegiance to Lemmy, singer Paul Arnold had to gently remind the crowd that they were "not a cover band," although two covers, "The Hammer" and "Ace of Spades," were (weirdly) the highlights of the set.

And then came the headliner, Brooklyn's Early Man, another band playing uninspired Sabbath rip-offs—an approach that'd be far less annoying if they actually possessed an ounce of Sab heaviness. Sadly, this Iommi-lite stuff is still a trend; these guys should've played first or, better yet, not at all.

 
 

Most Popular Stories

Find a Concert


Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy