Because Next to Normal leaves lots of icky questions (hard to describe without spoiling that first-act surprise) unexplored on its way from horrific family mess to partial cure, it doesn't move or inspire you as it ostentatiously hopes to. Michael Greif's direction marshals excellent performances from his six-person cast—in addition to Damiano, Brian d'Arcy James and Alice Ripley do towering work as the troubled parents—but he also seems to be pushing the material further than its abstractness will go. As a case history, it lacks data; as a drama, it lacks depth. But with such strong performances, and writing so skillful on the streamlined surface, you can't help wishing it well—or wondering how it might look tucked in among the deadpan ironies of Katchor's flat-panel world.
Applause, the 1970 musicalization of Joseph L. Mankiewicz's cinema-classic, backstage backbiter, All About Eve, belongs there, too. At least it seemed to in the tired-ish, flattish staged concert that City Center Encores! gave it under Kathleen Marshall's direction. Christine Ebersole, hampered by flu and a hideous wig, made Margo Channing feisty but unalluring; Erin Davie made an unexpectedly pallid Eve. Kate Burton, Chip Zien, and a blessedly low-key Mario Cantone did well in lesser roles, and Marshall as choreographer had some good '70s-disco fun with "But Alive." Still, the pancake-flat fact remained: Applause, a flawed and mediocre show to start with, was a weak choice for revival. Even Katchor and McGrath probably couldn't imbue it with much comic-book magic.
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