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Stitching: Mission Abort

A play that should shock–but doesn't

Sew what? asks this drama by Anthony Neilson. The playwright is a proponent of Britain's in-yer-face theater, a naughtily assaultive style that confronts the audience with extreme situations and language. In Stitching, now making its American debut, a young couple chooses whether or not to terminate a pregnancy. This decision will ultimately lead our heroine to practice her home-ec skills on her lady parts.

Director Tim Haskell typically stages pop-culture-saturated plays, adaptations of '80s flicks like Road House and Fatal Attraction. He's also the impresario behind the annual haunted house "Nightmare," so perhaps these dark materials had a particular appeal for him. Stitching's subject matter really ought to shock. Yet Abby (Meital Dohan) and Stu (Gian-Murray Gianino) never emerge as real characters, making it difficult to care much for their plight—or for her eventual mutilation. Handsome Gianino often has to strain for effect, while Dohan—an attractive woman wearing far too much makeup—frequently appears to be acting in a play all her own. Really, there's only one thing to say about this needle-and-thread piece that tries and fails to disturb audience sensibilities: Darn!

 
  • Samantha S. 07/09/2008 2:12:00 AM

    Normally I wouldn't take the time to express my issues with a review; after all, it is the subjective opinion of one person. However, in this case, I am rather befuddled as to why the reviewer is reviewing everything BUT the play. The Village Voice usually publishes thoughtful journalism, but this is clearly an exception. Why is this review talking about Meital Dohan's makeup, rather than her work as an actress? (yes, actresses often wear more makeup on the stage.) Why does it fail to evaluate the storyline? Why is it talking about Haskell's work in "Nightmare," rather than his execution of THIS play? I'm done on that punching bag. Stitching is the BEST play I've seen in years! Meital's performance is breath-taking and thought provoking! Haskell was able to breathe life into serious issues of the human condition that theater rarely confronts. I give it *****.

 

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