Downtown Robot Meets South Pacific Mishap in The Jester of Tonga

The Jester of Tonga, Joe Silovsky's multimedia performance piece about human frailty, mints a new, non-human star. Silovsky explores his obsession with a News of the Weird tale, a story that broke in 2001 about an American businessman, Jesse Bogdonoff, who secured the title of Court Jester of Tonga and whose financial dealings somehow lost over $20 million of Tonga’s money.

Silovsky meanders around P.S.122’s downstairs stage with a geeky nonchalance; at one point, he says, “I’m going to need a minute to set up for this next scene,” then turns on a jazz record while searching through various suitcases and assembling low-budget wonders—smeary overhead projections, pop-up dioramas, toy theaters. About 20 minutes into the proceedings, he summons his co-star, Stanley, who plays the role of Bogdonoff.

Richard Termine

Joe Silovsky and chatty metal friend

Details

The Jester of Tonga
By Joe Silovsky
P.S.122
212-352-3101

Related Content

• OBIES 2012: What Off-Broadway Needs Now
  May 23, 2012
• Waves and The Jester of Tonga Give Multimedia Some Hope
  November 26, 2008
• Cooking With Cowboys
  September 7, 2004
• Season's Treatings
  May 21, 2002

More About

• Joe Silovsky
• Jesse Bogdonoff

Stanley’s a winning, kittenish robot, fitted with a head that swivels, eyes that roll, a mouth that opens and closes, and legs, arms, and fingers that twitch and shudder. He brings a strangeness to the proceedings, but also a measure of gravity. His presence seems to quiet Silovsky, allowing him to proceed with his narration. Stanley also offers a much more sympathetic portrait of Bogdonoff than most human actors would. Rarely has a mechanical performance seemed such a delight.