The Best Books of 2008

Creepy Earth Mothers! Portuguese drag queens! Voice writers pick their favorites of the year.


2666
By Roberto Bolaño
FSG, 898 pp., $30

Apocrypha, secret history, and murder salt Roberto Bolaño's posthumous titan of a novel. United by the gravitational pull of Santa Teresa (a stand-in for Mexico's Ciudad Juárez), Bolaño's characters confront madness and a host of mysteries that are all, ultimately, the same mystery: lost writers, lost women, lost faith. ZACH BARON


A Mercy
By Toni Morrison
Knopf, 167 pp., $23.95

You think America was founded on the principle of freedom? Toni Morrison thinks otherwise. A Mercy is set, circa 1690, in a turbulent colonial society where people of any color, from indentured servants to wives and children, can be bought and sold. Classic Morrison themes—the broken mother-daughter bond, the way servitude corrupts both slaves and masters—return in a dreamlike, powerful tale. JULIE PHILLIPS


Exit Music
By Ian Rankin
Little Brown, 421 pp., $24.99

With the publication of his 17th novel, Ian Rankin announced the retirement of Detective Inspector John Rebus, one of the great sleuths of contemporary crime fiction. In a largely unsentimental farewell, Rebus goes rather gently into that good night. He investigates the murder of a dissident Russian poet while pursuing his few remaining hobbies—beer, whisky, and a fascination with a local crime lord that verges on obsessional neurosis. Sláinte, John. ALEXIS SOLOSKI


The Forever War
By Dexter Filkins
Knopf, 353 pp., $25

Filkins, a foreign correspondent for The New York Times, tears through the curtain of daily news censorship to describe the face of death in Iraq. But he does so tenderly, with the understanding that he's been somehow spared. Filkins is foremost a storyteller, forgoing explanation in favor of the defining detail: the glowing intestine at Ground Zero, the Iraqi child running barefoot beside him, desperately asking his name. JED LIPINSKI


Jackie Ormes: The First African American Female Cartoonist
By Nancy Goldstein
University of Michigan, 240 pp., $35

Jackie (née Zelda) Ormes created four different newspaper-cartoon series that were nationally syndicated in Black American newspapers from 1937 to 1956. Her politically astute, elegantly drawn, and predominantly female characters were a bracing corrective to the "coon and mammy" caricatures promulgated by many white cartoonists during those years. Ormes's hitherto underexposed work is celebrated in this lavishly illustrated career biography. CAROL COOPER


Lush Life
By Richard Price
FSG, 455 pp., $26

"Who the fuck puts a Howard Johnson's down here?" asks one cop early in Lush Life, clocking the current, three-quarters-gentrified state of the Lower East Side with the same bewilderment that will, over the course of the book, confront everyone, from the neighborhood's trust-fund bohemians to the kids who prey on them. Price's achievement is to render each voice with the same, startling degree of accuracy—and empathy. ZACH BARON


My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer
Edited by Peter Gizzi and Kevin Killian
Wesleyan, 508 pp., $35

Impeccably edited, this collection gathers the remarkable output of a poet whose writing and person were too counter even for the counterculture of the late '50s and '60s. Spicer's work manages to combine heartbreak, hermeticism, and postwar disquiet in a way both completely of its time and still ahead of ours. ALAN GILBERT


Nazi Literature in the Americas
By Roberto Bolaño
New Directions, 227 pp., $23.95

This compendium of hatred, intolerance, and military valor is just as much fun as it sounds. Bolaño's grim, high-spirited capsule biographies of right-wing litterateurs include soccer-hooligans-cum-poets; a sci-fi novelist who envisages Hitler's Reich triumphing in the U.S.; and many other colorful zealots. Almost everyone in this book is a moral toad; almost everyone dies a violent and miserable death. It is all in very bad taste indeed. GILES HARVEY


Netherland
By Joseph O'Neill
Pantheon, 256 pp., $23.95

As one says at a cricket match, "Well batted!" Joseph O'Neill's angry, elegant, elegiac novel is narrated by Hans van den Broek, a Dutch equities analyst, at sea in post-9/11 New York. Abandoned by wife and child, Hans develops a passionate interest in cricket and the Caribbean and West African New Yorkers who play it, including Chuck Ramkissoon, a Gatsby-esque Trinidadian immigrant, both devious and affable. ALEXIS SOLOSKI


The Other Side of the Island
By Allegra Goodman
Razorbill, 280 pp., $16.99

This acclaimed author's first YA novel is a near-future thriller set in a world devastated by global warming. After her nonconformist parents disappear, the young protagonist joins a resistance movement to defeat the totalitarian government ruled by the Palinesque Earth Mother: "a simple schoolteacher, a cookie baker. She loved flowers and children and sunshine and song. She believed in Safety First." Gripping and creepily prescient. ELIZABETH HAND


Personal Days
By Ed Park
Random House, 241 pp., $13

In a prelapsarian New York populated by surging, infinity-sign-shaped real estate developments, an office is undergoing endless layoffs. Bosses stalk the halls, using Latinates like "i.e." and "e.g." "vigorously but interchangeably." Park's unsettling, uproarious debut delights as much in sending up various crimes against language as it does in satirizing workplace culture; the author could well have borrowed the title of one of the many self-help books that stud his novel's pages: Yes, I Drank the Kool-Aid—And I Went Back for Seconds. ZACH BARON


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