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What Doesn't Kill You

Cuddly recidivism marked Mark Ruffalo's first attention-getting role in You Can Count on Me, squirming within family ties and into our hearts. In the equally ill-titled What Doesn't Kill You, he's a backsliding Southie hood, passing his wife and angelic kids on the way out to petty shakedowns. Like his desperately zealous partner, Paulie (Ethan Hawke), Brian (Ruffalo) has outgrown his life, but has nothing to replace it. Ex-tough Brian Goodman, who plays their local crime boss, directs his own screenplayed memories, double-timing through the duo's gambits and their prison stint into Brian's recovery trudge from coke. For a "before" stage of rhino-like oblivion, Ruffalo draws on his knack for summoning an incongruous brooding bulk from within, and the result almost sucks the air from Hawke's rangy routine of nerves and sinewy smiles. In the straight-and-narrow struggle post-clink, Ruffalo lacks rapport with Amanda Peet as the long-suffering wife. (Donnie Wahlberg, who co-wrote the script, also drives by now and again as an on-to-you sergeant.) Goodman's movie tends to limp along, but he naturally gets Boston in winter and steers clear of Gone Baby Gone grotesques: An opening helicopter shot centers on a resolutely boring apartment building.

 
  • Lucas Denton 04/30/2009 1:45:00 PM

    This reviewer clearly has no idea what he/she is talking about. Mark Ruffalo and Ethan Hawke completely transform into street hoodlums with an utter authenticity I had previously thought neither of them were capable of. Ethan Hawke managed to drop his trademark sensitivity as well the ocvtave of his voice(adding a little bass, to boot. Mark Ruffalo portrayed a crackfiend with a realism that one can only hope originated solely from his acting skills. As far as the direction, it was about as well as I've seen a movie directed since "No Country for Old Men." But maybe I'm just swayed by the absolute truth portrayed by this film.

 

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Box Office

  1. Chronicle (2012/ I), 22.0 mil, 22.0 mil
  2. The Woman in Black, 20.9 mil, 20.9 mil
  3. The Grey, 9.3 mil, 34.6 mil
  4. Big Miracle, 7.8 mil, 7.8 mil
  5. Underworld: Awakening, 5.5 mil, 54.2 mil
  6. One for the Money, 5.2 mil, 19.6 mil
  7. Red Tails, 4.7 mil, 41.1 mil
  8. The Descendants, 4.6 mil, 65.5 mil
  9. Man on a Ledge, 4.4 mil, 14.6 mil
  10. Extremely Loud & Incredibly Close, 3.8 mil, 26.7 mil
Movie Title, Weekly Earnings, Total Earnings

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