Stalker

(Andrei Tarkovsky, 1979). Loosely adapted from a novel by the sci-fi writers Arkady and Boris Strugatsky, Tarkovsky’s last Soviet film is a perverse replay of Solaris’s cosmic voyage, a remake of Andrei Rublev in a secular world of post-apocalyptic misery. (It’s also weirdly evocative of David Lynch’s Eraserhead). Stalker is as devious as it is gorgeous—the only certain thing is its blatant anti-technological, anti-rational, anti-materialist bias.
Thu., July 9, 6:15 p.m.; Sat., July 11, 1 p.m.; Sun., July 12, 8:30 p.m., 2009
 
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