Dir. Elia Kazan (1947). Kazan's third film was shot on location in Connecticut, in a semi-documentary stylethere's not a set in it. It concerns the efforts of a state's attorney to uncover the truth about a murder. Kazan cast it mostly with his "regular" New York ganglook carefully and you'll spot Arthur Miller in a police line-up. Without the basic training of this engrossing picture, the director might not have been able to manage the docks of On the Waterfront.
Tue., Oct. 13, 1, 4:35 & 8:15 p.m., 2009
*indicates required fields. Please enable browser cookies before filling out this form. All reader comments are subject to our Terms of Use. By clicking Add Comment, you acknowledge that you have reviewed and agree to these Terms.
Comments may take a few minutes to process and appear on the site. Please do not click the "Add Comment" button again while your comment is being added.