Honorable Mention
Arthur Kell QuartetBassist writes tight little figures, spun by Brad Shepik's guitar and Loren Stillman's alto sax into harmolodic heaven.
Allen ToussaintA New Orleans pro with beaucoup connections shows a light touch with trad jazz.
Mulatu AstatkeGot out of Swinging Addis while the getting was good, picking up Latin and jazz notions just to splice them with hints of home.
Joe MorrisNot so distinctive a bassist, but like every saxophonist he trios with—Petr Cancura here—he delivers a jolt of freedom.
Paul GiallorenzoJosh Berman and Dave Rempis enjoy the free jousting of a pianoless quartet, while the pianist-leader finds clever ways to contribute.
The Second Approach Trio With Roswell RuddPassing through Moscow, the great trombonist gets sucked into a maelstrom of flying scat-singing and piano, like he never left the '60s.
Mike Reed's People, Places & ThingsFollowing an album about their ancestors, they tap into themselves for the sound of Chicago today.
Henry Threadgill ZooidToo much flute and some dead spots, but miraculous stretches confirm the leader's genius, a relief after too long a break.
Chris Potter UndergroundElectrified with Adam Rogers's guitar and Craig Taborn's Fender Rhodes, the sax-whiz card pumps up the volume.
Chad TaylorDrummer-led piano trio, a snappier strategy than letting the pianist run things.
The AggregationLa Tanya Hall sings a couple of Stevie Wonder songs, bait for Eddie Allen's brass stylings.
The Harry Allen–Joe Cohn QuartetA swinging, enchanted evening, with singers Rebecca Kilgore and Eddie Erickson cornier than Kansas in August.
Louis SclavisDouble reeds romp and roll over Maxime Delpierre's guitar buzz.
Avram FeferFreebop sax trio imagines "Sheep in Wolves' Clothing" and other fractious fairy tales.
Joe Morris QuartetReturns to guitar, trading lines with Jim Hobbs—a kinder, gentler version of the Fully Celebrated Orchestra.
Erik FriedlanderCello-led string bop—light, loose, slightly oblique.
Jeff JohnsonBass-centered trio, the playing field leveled with Hans Teuber's faint reeds and soft splashes on the drums.
John Patitucci TrioThe bassist's record, so note the solos, the sonic balance, and the nuanced grooves, not just Joe Lovano.
Dave Holland/Gonzalo Rubalcaba/Chris Potter/Eric HarlandLive postbop superstar jam, the pianist's Afro-Cuban vibe feeding everyone's thoughts.
Peter DelanoMore importantly, featuring Dewey—the late Mr. Redman's tenor infiltrates three of eight cuts, vibrant as ever.
The Ron Hockett QuintetLongtime journeyman clarinetist gets the Arbors red-carpet treatment for another round of those good ol' good 'uns.
Branford Marsalis QuartetSame quartet as Requiem 10 years ago, the CEO letting his crew do the work while he perfects his soprano.
Lucky 7sFreebop grunge, muscled up with double-barreled lead trombones, gussied up with splashes of cornet and vibes.
Marty GroszRhythm guitarist cranks the winds, supplied by Dan Block and Scott Robinson, up to "hot."
Oliver Jones/Hank JonesAn Oscar Peterson–inspired piano trio reinforced by an elder whose extra piano adds more depth and gravity than flash.
Stacy DillardTenor saxophonist, fierce at high speeds, soulful when he slows down.
Steve Shapiro/Pat BergesonSwinging guitar-vibes duo, with Nashville Hot Clubber Annie Sellick pledging her love to Daddy.
Dennis GonzálezOld-school, avant-garde mournful trumpet over a hard-working Curtis Clark–Reggie Workman–Michael T.A. Thompson rhythm section.
Miroslav Vitous Group With Michel PortalStrange thing, memory, blotting out fusion keyboards in favor of Dvorak variations on Ornette and Miles.
Johnny Varro & Ken PeplowskiJourneymen on piano and clarinet evoke the legendary era of small-group swing.
Rez AbbasiFour songs with Indian vocals fortify the extended Indo-Pak Coalition, but the world-class band eschews fusion for postbop.
Harry AllenA graceful swing through town, from "Harlem Nocturne" to "Chinatown, My Chinatown."
Duds
Mary Halvorson & Jessica PavoneBeat-up chamber jazz played as inept anti-folk and sung worse. B-
Robert GlasperContinues to make nice progress as a mainstream piano trio-ist, but his Experiment is unstable and prone to stink bombs. B-
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