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The Ramshackle Behind the Burly Q Entertains Utterly

Although now swathed in nostalgic longing/hipster appropriation, the art of burlesque was once a vibrant, multi-tiered cultural enterprise—escapist family entertainment for the working-class, an erotic getaway for men of all classes, and a carefully constructed art form. Leslie Zemeckis's slightly ramshackle but utterly entertaining Behind the Burly Q is a painstakingly researched love letter to the women and men who once made up the community of burlesque performers. If the documentary could be a little more tightly edited, its treasure trove of vintage photographs and performance footage is enough to make historians and fans of classic erotica swoon. The film's visual component is complemented by insightful talking heads (retired performers as well as feminist scholars), who map a fascinating evolution of the form while filling in the backstories of the performers. It's the latter—ranging from horrifying stories of poverty, violence, and abuse to professional and artistic triumphs—that really pull the viewer in. While icons such as Blaze Starr, Tempest Storm, and Dixie Evans (the Marilyn Monroe of burlesque) are given ample screen time, Gypsy Rose Lee, the biggest crossover success, is not only given a relatively brief mention but is also bitchily (and very entertainingly) ripped to shreds by folks who knew her.

 
  • Elizabeth 09/19/2010 10:58:00 AM

    This film was dreadful. Myself and six other people walked out after an hour. That left 4 people in the whole theater. Unfortunately, I read Roger Eberts review of this film after wasting an hour's time and money on this. There's no point of view to the film. It drifts aimlessly along. The interviews could have been in more interesting and the shots more inventive. The proper editing would have made this a palpable 5 minute short film.

  • David 05/01/2010 11:49:00 PM

    Doesn't delve beneath the surface. Very poorly shot. This could've been an enjoyable film in an experienced storytellers hands. What this film does is gloss over the origins of burlesque, roll out all the talking heads which became annoying, and tried to emulate the Ken Burns school of photography by using the moving-camera effect. The only bright spot was Alan Alda discussing his father. Not worth wasting an hour and a half of your time on this one!

 

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