By Alan Scherstuhl
By Charles Taylor
By Melissa Anderson
By Inkoo Kang
By Amy Nicholson
By Sam Weisberg
By Stephanie Zacharek
By Chuck Wilson
It would be unwise to consider Four Lions a movie that has much to say about radical Islam or the threat of terrorism. Instead, think of Four Lions as Airheads, except that instead of the idiots wanting to get their song played on the radio, the idiots want to blow themselves up. Though Chris Morriss very funny movie revolves around a cell of hapless would-be terrorists, its chief concerns, and strengths, have little to do with ideologyand everything to do with comedy. Is Morris tweaking the untweakable by choreographing a farce around terrorists killing innocent Londoners? Sure, but not, it seems, as a political stance: Hes breaking taboos because broken taboos can be hilarious.
Omar (Riz Ahmed) is a security guard whose sweet wife and son ask him constantly how his plans for jihad are going. Despite a failed trip to a training camp in Pakistanwhere real terrorists call Omar fucking Mr. Beanshe has managed to recruit a gang of like-minded radicals, all of them building bombs for the final conflagration. Among the broad comic types that make up Omars band of numbskullsthe dimwit, the blowhard, the rich kidfunniest of all is sheepish Fessal (Adeel Akhtar), who quietly admits hed like to bomb U.K. pharmacy Boots because they sell condoms that make you want to bang white girls.
Theres nothing particularly political about an argument in which one moron convinces another to punch himself in the face, but, as performed by a uniformly terrific cast, theres plenty thats great about it. And while there are explosions in Four Lionspeople die, as well as a sheep and a very unlucky crowits the scenes of delightfully witless banter, devised by Morris and his three co-writers, that are the films real special effects.
Join My Voice Nation for free stuff, film info & more!