The Cry of Jazz first appeared alongside quasi-Beat productions like Shadows and Pull My Daisy (with which its showing at Anthology), and was filmed shortly before the five-part 1959 TV documentary The Hate That Hate Produced introduced white America to the Nation of Islam. Unacquainted with Beat poetry, Norman Mailers The White Negro, Elijah Muhammad, or any expression of black cultural nationalism, Blands white jazz buffs are getting a taste of the 60s, four years before the poet LeRoi Jones (not yet Amiri Baraka) shocked Down Beat readers with an essay arguing that Negro music is essentially the expression of an attitude, or a collection of attitudes, about the world, and only secondarily an attitude about the way music is made.
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