By Alan Scherstuhl
By Charles Taylor
By Melissa Anderson
By Inkoo Kang
By Amy Nicholson
By Sam Weisberg
By Stephanie Zacharek
By Chuck Wilson
Homemade flame-throwers. Hot chicks who eat crickets. The ultimate muscle car named Medusa. Booby-trapped with the superficial pleasures of a summer movie, writer-director Evan Glodells darkly exhilarating debut, Bellflower, is a pre-apocalyptic love story and the most emotionally (even literally) explosive critique of male insecurity since Fight Club. Glodell stars with Tyler Dawson as mechanically inclined buds whose anarchic collaboration is threatened by a magnetic but volatile woman. While in NYC to flex Medusas guns at an auto show, Glodell sat down to discuss what shouldnt be tried at home, kids.
Filmmaking aside, when did you learn to build such dangerous toys? I was a tinkerer when I was a kid. I would mess around with electronics, and then I got into Tesla coils and anything I could make high-voltage. When I was in middle school, I started building bombs, because thats fun when youre a young boy, right?
At the risk of incriminating us both, what did you make them with? Whatever we could get our hands on. Wed take apart firecrackers. Dry-ice bombs were the easiest. I never made a pipe bomb, because it seemed sketchy, but you can empty CO2 containers, fill them up with gunpowder, and put wicks in them. That makes a pretty serious explosive. I remember making a bomb out of those disposable candles and throwing one in the garage to mess with my brother and his friends. It was the first time it hit me that what I was doing wasnt safe. No one got hurt, but it was loud.
Summer Guide 2011
Theater: Lisa D'Amour's Motor City Bayou
Music: Don't Take Brad Paisley to the Airport Strip Club
Art: On Stellar Rays' Candace Madey Talks Lower East Side Art
Books: Don't Shrug This Atlas--The Real State of America Atlas, That Is
Dance: The Ballet Nacional of Cuba Steps Into BAM
Dining: Eat the Phreak
What inspired the toxic romance at the heart of Bellflower? I went through a breakupit was the most devastating thing that has happened to me. At the time, I was obsessively making weird little projects and short films, and I started writing about it. The first half of the movie was going to be pretty and happy, and the second half was this terrible destroying of all that. Other ideas came in, like the characters building this car, something that my friend and I joked about: Someday well have a car like that, and that will enable us to be super-powerful like Mad Max.
So now that Medusa exists, are you empowered? I dont know, but I really like it. Its a bit silly in reality, because you cant even drive anywhere. By the time I park, like to go to 7-Eleven to get cigarettes, theres someone waiting outside the car. Its always bros who are like: What kind of engine do you got in there? It takes twice as long to get anything done.
How do you feel about those who have decried your film as nihilistic or misogynistic? I literally would destroy [the film] if I thought it was a negative thing. There are scenes that are supposed to be like nightmares. A confused young guy is getting his heart ripped out by a girl, or at least, thats the way he sees it. Hes having these awful images in his head. Some involve revenge because he doesnt know what to do. To me, I was being honest and addressing the shit that dudes will never talk about. I knew there was a danger that people were going to judge me.
Is it true that your Oscilloscope contract has a clause requiring you to build a flamethrower for Beastie Boy and film distributor Adam MCA Yauch? Yes, there is. We have to deliver them two flamethrowers. One regular, and one child-size. I think its for his son. Its legally binding.
'Bellflower opens August 5 (Oscilloscope Laboratories), oscilloscope.net
Ongoing through August 20
Who wants to be trapped in a multiplex on a beautiful summer evening? The 15th-annual edition of this smartly curated open-air series boasts 23 features, live music, and madcap stunts: The semi-pro wrestlers of the riveting vérité doc Fake It So Real will take part in an on-site battle royale; the Dutch artist and subject of Convento presents an installation of dead-wildlife animatronics; and expect pure mayhem from the musical terrorists who star in the sublime Swedish comedy Sound of Noise. Rooftop Films, various locations, rooftopfilms.com
Out of the Blue
In the late Dennis Hoppers mind a better film than Bertoluccis Luna and his own Easy Rider, the actor-directors brilliant, still shockingly subversive 1980 cherry bombrevived here in a new 35mm printis as sad and unsettling as dysfunctional-family dramas come. Days of Heavens Linda Manz steals it as an Elvis-loving teen punk reconnecting with her truck-driver dad (Hopper), freshly sprung from prison after drunkenly smashing into a busload of schoolchildren. Anthology Film Archives, 32 Second Avenue, anthologyfilmarchives.com
Nineteen New York premieres (and one world debut) light up BAMs third-annual showcase for new festival treasures and repertory curiosities, opening with SXSW Audience Award winner Weekend. Dont miss the freewheeling comic snark of The Color Wheel, the psychosexual jealousy bubbling beneath Green, French actor and filmmaker Mathieu Amalrics bawdy burlesque-girls dramedy Tournée, and some truly must-see docs (Dragonslayer, Last Days Here, The Ballad of Genesis & Lady Jaye). Brooklyn Academy of Music, 30 Lafayette Avenue, Brooklyn, bam.org
Page One: Inside the New York Times
Whether youre getting ink on your hands or currently experiencing digital eye strain, theres something to be gleaned about the mutating world of journalism from Andrew Rossis delightful, fly-on-the-wall peek within the Gray Ladys newsroom. Discussing 21st-century ethics and concerns as the WikiLeaks controversy unfolds in real time, the film is at its most entertaining when embedded with sandpaper-voiced veteran reporter David Carr, who approaches his beat with a sharp wit and uncompromising saltiness. Magnolia Pictures, in limited release, magpictures.com
New York Asian Film Festival
Celebrating a decade of bat-shit nutty thrills, Subway Cinemas genre-busting extravaganza will host special guest Tsui Hark for Wu Xia: Hong Kongs Flying Swordsmen, a sidebar featuring the directing legends kung-fu spectacular Detective Dee and the Mystery of the Phantom Flame. Fresh from Cannes, Na Hong-jins The Yellow Sea headlines Sea of Revenge: New Korean Thrillers, and thats just the beginning. Punk-rock Buddhist monks! Karate-fighting robots that transform into motorcycles! Egad! The Film Society of Lincoln Center, West 65th Street and Broadway, filmlinc.com
After the sobering politics of Standard Operating Procedure and The Fog of War, Oscar-winning documentarian Errol Morris returns to his eccentric early roots withno, not a counter-argument to Page Onebut a hilariously bonkers saga that indeed made headlines. In the late 70s, beauty queen Joyce McKinney flew to the U.K., kidnapped her former beau, and chained him to a bed to deprogram his Mormon beliefs of chastity. Crazy but charismatic, McKinney tells her rationalized side of a story whose twists are unthinkable. IFC Films, in limited release, ifcfilms.com
July 15August 11
1930s Hollywood was at its most exhilarating before the Hays Code suppressed all the innuendo, raciness, and creative rebellion, which will titillate new generations in Film Forums four-week fête. Take in the uncensored version of Baby Face (starring Barbara Stanwyck as a corporate ladderclimbing prostitute) and new 35mm prints of Sailor's Luck, The Match King, Jewel Robbery, and Heat Lightning. Each Thursday salutes suave actor Warren William (The Heel of Heels), and Tuesdays offer triple features for one admission. Film Forum, 209 West Houston Street, filmforum.org
Following 2005s Me and You and Everyone We Know, Miranda Julys long-awaited second feature may theoretically seem too twee, since its self-questioning drama about a quixotic thirtysomething couple (July and Hamish Linklater) in existential crisis features YouTube dance projects and narration by a dying stray cat. However, this wonderfully whimsical examination into the fear of cosmic insignificance is so deeply touching and honest (think Ikiru starring Silver Lake hipsters) you just might need a stiff drink afterward. Roadside Attractions, in limited release, roadsideattractions.com
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