At a time when billion-dollar chains use "protest songs" of the old variety for mood music and even Forbes-listed CEOs will admit capitalism's faults, a potentially effective protest (and of course, a potentially effective soundtrack) must not only offer a critique of the world but also reveal the possibility of a new one, or even of possibility itself. At its best, Fox's drumming, both in and out of Liturgy, does exactly that—just don't expect him to write you a manifesto explaining why. Describing his new recordings, he mostly defers to the music: "We knew to some degree what the end product would be, and then we just started playing."

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