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SODERBERGH: Somebody's going to do that. It seems obvious to me. That's a great way to combine the two mediums, but there's also . . . what David Fincher's doing with Netflix [the original series House of Cards] is going to be really interesting. I had a conversation with the two people running Netflix, who were saying, "There's no paradigm here. We can do anything. You can have a show where one episode is 30 minutes and another is 80. We're not bound by any rules. So give us the crazy shit." And I said, "Well, that's good to know. I wasn't even thinking that way." So it may take a while for people to sort of unwind the assumptions that you make in dealing with the traditional version of this business and realize that this is a new thing.
BURNS: I kind of feel at this point that, for me, in writing, it's this weird Venn diagram where here's everything that Hollywood will make and here's everything that I feel like I can do a good job writing, and the two barely kiss. I'm not sure that there isn't a bigger intersection somewhere else.
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