Fire Walk With Me takes the show's loose cluster of supernatural phenomena and reconfigures them as a vulnerable mind's imagined demons, a coping strategy for trauma. If the series is about hunting a literal demon—BOB, a gray-haired man who is said to "possess" Leland Palmer—the film is about realizing that the demon is real. Though in a way these fantastic elements were its bread and butter, the series ultimately suffered, emotionally, by "explaining away" the trauma of Laura's death and by assigning Leland's evil to his demonic alter ego. But the film returns us from fantasy to reality, reasserting the evil in the man himself: Laura's death at the hands of her father becomes a tragedy localized in a recognizable world rather than one happening in the fantasy of fiction. The fantasy becomes figural. A history of sexual abuse becomes real.

Location Info

Map

BAM Rose Cinemas

30 Lafayette Ave.
Brooklyn, NY 11217

Category: Movie Theaters

Region: Fort Greene

Details

Booed at Cannes
May 11-23, 2013
BAM Rose Cinemas
30 Lafayette Ave. Brooklyn, NY 11217
718-636-4100
bam.org/film/2013/booed-at-cannes



Lil (Kimberly Ann Cole) is the central element of the film's first half: Cole (Lynch)'s "mother's sister's girl," offering deliberately inscrutable signs for the pleasure of our confusion. It's Lynch's way of signaling that there will be no easy answers: we're about to witness a tragedy unfold without explanation, horrors happening that we can't justify or explain. Laura's world is morally confused, and Lynch presents it as basically illegible: the only way he can show us the truth is by articulating it in code, shrouding it in fantasy and mystery and conspiratorial intrigue. It's why the film seems, at times, like a puzzle. The contrasting halves of the film's bifurcated narrative find two worlds crashing together, the first a plane of frustrated desire and inscrutable mystery, the second a void into which a young woman is swallowed up. The procedural elements of the first are fundamentally disconnected from the tragedy of the second, suggesting that, in the final estimation, we can't really on institutions to protect us. They're solving the wrong case.

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