Since the latest financial crisis reared, some 4 million homes have been foreclosed upon. That's good news for Crystal (America Ferrera) . . . sort of. Sure, the struggling heroine of Laura Marks's Women's Project play, Bethany, may have lost her ow...
Autograph seekers: Ready your pens. New stars have been born. Or soldered, maybe. Meet Takeo and Mimoko, each a Robovie R3. With a couple of human actors, they perform I, Worker, one of two plays comprising Seinendan Theater Company and Osaka Univer...
Ethan Hawke allures even in filthy leather pants and a ridiculous dye job. This is no mean feat. He stars in Clive as the titular amoral, asocial antihero. But as much as you may cheer Hawke's aggressive performance, you may also hiss the director s...
When was the last time a tortilla chip led you to a discourse on ontology? As Robert (Noah Robbins), an antic teenager, loiters at a bus stop and chomps a handful of Cool Ranch Doritos, he contemplates his place in the universe. "Is, like, the chip ...
Actors, beware the curtain call that requires you to wade through puddles of blood. So treacherous is the Bushwick Starr's stage at the end of The House of Von Macram--a new musical spoofing slasher flicks and the fashion industry, created by theat...
Dieter Roth's massive new exhibition at Hauser & Wirth's 25,000-square-foot Chelsea space is like the miracle foodstuff of the moment, 100 percent raw cacao: It's dark, it's bitter, and it's supposed to be good for you. The uptown gallery's inaug...
Proletarians are funny, apparently. Their low-class vulgarity and profanity makes us laugh because it's an equalizer: However refined we imagine ourselves to be, we recognize ourselves in it. At the same time, lower-class religious devoutness, with ...
Richard Ross: 'Juvenile-in-Justice' Inside a Kansas detention center, a 12-year-old boy sits alone in a cinder block cell, completing a homework assignment on Old Yeller and trying to make it through a two-week lockup--punishment for expressing p...
Whatever their Off-Broadway salaries are, actors Ana Graham and Antonio Vega earn them. Not only do they perform Working on a Special Day--a collaboration between our own Play Company and Mexico's Por Piedad Teatro--they direct, co-translate, supply...
Many people have worked very hard on the new production of Tennessee Williams's Cat on a Hot Tin Roof (Richard Rodgers Theatre), and I feel extremely sad for them, since all their efforts have added up to nothing but a confused, noisy mess, which ha...
What genre is your life story? Were your teenage years a murder mystery? Did your preschool comrades resemble a communist youth group, performing perfectly choreographed mass spectacles in tidy red and gray uniforms? You may consider this questio...
Watching Peter Brook's version of The Suit--now playing at BAM--is a bit like encountering an appealing handcrafted item from abroad at a Ten Thousand Villages store. You can't question the loveliness of the object, no one was harmed making it, but y...
Renata Poljak: 'Uncertain Memories' With stirring orchestral strains on the soundtrack, teenage soldiers attack Nazis invading their homeland. The camera pulls in tight as the hero of the 1979 Yugoslavian feature Bosko Buha falls to fascist gunfi...
Mad scenes, as the opera composers of the bel canto era well knew, make great opportunities for divas. I had never previously thought of Laurie Metcalf--an actress who always seems to come bearing an ineffable, hardheaded reality--as a diva. Yet her...
The Roundabout revival of William Inge's Picnic (American Airlines Theatre) is the sort of event that makes people wonder whether anyone should revive old plays at all. An unusually problematic case, Picnic begins with several strikes against it. A ...
Every park has its service road. Unremarkable, it links compost heaps and equipment sheds. Nothing could be more mundane, though in emergencies such as the tornado that plowed through Prospect Park in 2010, it might enable a heroic endeavor or two. T...
Being in love is good. Getting heartbroken is bad. Relationships are sometimes fun, sometimes lame. No revelations there: It's the way the world has always worked. Something's Got Ahold of My Heart, currently at La MaMa, takes a crack at the age-old...
The rare show to warrant adjectives like wrenching and harrowing, David T. Little's 60-minute operatic suite Solider Songs is engineered to wrench and harrow--and to dare theatergoers into actually shielding their eyes. Christopher Burchett, a strap...
Remember when January used to be cold? And theatrically moribund? A chill time to hunker down near the radiator and scoff leftover fruitcake? No more. In 2005, Mark Russell founded the Under the Radar festival, a jumble of international experime...
If you chanced upon David Greig's Midsummer after a hard day's Fringing, you might think you'd lucked into a gem. It's clever, winningly performed, and has the kind of lightly suspenseful but ultimately sappy rom-com plot--cut with wacky fantasy int...
The Film Society Can't Quite Make the Leap From Past to Present
What happens to a political play that's three decades old? Can it keep its emotional charge, or does it wither when its social relevance fades? You may be asking these… More >>
Blame It on Magritte
You might assume that the Photoshop fantasias of our age would make the visual conundrums of René Magritte's pre-war paintings feel quaint. Certainly the beguiling originality of his fractured figures… More >>
Deceptive Practices: The Glass Menagerie's Poignant Con Game
The theater is a swindle, an exercise in sham. Every play operates on principles of treachery: Flimsy set pieces substitute for solid spaces; people assume names and accents other than… More >>
Not What Happened: A Meditation on Truth and Historical Accuracy
Provocations don't come much gentler than Ain Gordon's Not What Happened, which concluded a brief run at BAM's Next Wave Festival. A meditation on truth and historical accuracy, directed by… More >>
Arguendo Is Full of Supremely Naughty Charm
Who knew Supreme Court justices have such complicated, libidinous inner lives? Anthony Kennedy muses on adults-only car washes. Sandra Day O'Connor contemplates pornographic videos. Antonin Scalia obsesses over nude opera.… More >>
Tragic Lovers Get Teenage Kicks in Romeo and Juliet Revival
The ardor animating the latest Romeo and Juliet seems less the marriage of true minds than the commingling of hot bods. In David Leveaux's revival at Broadway's Richard Rodgers, Orlando… More >>
The Propeller Group Take on the Art World's Celebrity Fixation
"Are celebrities the new art stars?" asked a Newsweek cover story in July. A few months later, certain windy developments (or popcorn farts) that passed for world-shaking events on TMZ… More >>
Q&A: Mario Alberto Zambrano on Taking the Leap From Dancer to Novelist With Lotería
The game Lotería can best be described as a Mexican version of bingo, but instead of numbers, each card bears a striking image, such as beautiful sea goddess La Sirena… More >>
Nature Theater of Oklahoma's Latest Movingly Illustrates a Sexual Awakening
Nature Theater of Oklahoma’s Life and Times: Episodes 4.5 and 5—at this year’s Crossing the Line Festival—are the newest installments in an epic performance depicting the life story of Kristin… More >>
Anna Nicole: A Cautionary Tale Against Gigantic Breast Implants
What homeless diva recently threatened to commit suicide if her rich patrons didn't cough up $20 million by the end of the year? That's right—the New York City Opera. So… More >>
