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  • Article

    Home Front

    Why don't those two Frenchmen move their big heads so a person can get a better look at that house with the half-inch-by-half-inch Plexiglas kitchen, and how about that two-inch powder blue acrylic swimming pool? There are just too many humans figh...

    by Toni Schlesinger on July 20, 1999
  • Foreman of the Board

    Article

    Foreman of the Board

    While accepting the Best Play honors for Benita Canova and Pearls for Pigs at the 1997 Village Voice Obie Awards ceremony, Richard Foreman gave a rousing, Clifford Odetslike speech about the gravity of the current culture wars. There is a battle goi...

    on July 20, 1999
  • Article

    3 Virgins

    Once home to erotic dancers, Times Square's Show World is now pretty stripped itself. A wounded holdout, the onetime sex emporium has rented space to two theater companies in an effort to stay legal. The not-so-great Persecution of Arnold Petch jus...

    by Brian Parks on July 20, 1999
  • Article

    The Informer

    Begin by rereadingor reading, because you couldn't be bothered the first timethat gaudy subtitle. Think about it a little. Do those adjective-noun combos interest you? Do they interest you more than the long, defensive final clause puts you off? I ...

    by Robert Christgau on July 13, 1999
  • Article

    Rude America

    Mark Caldwell's book contains an inventory of riotous, boorish behavior, from Titanic passenger J. Bruce Ismay elbowing "his way into a lifeboat past women and children" to the United Airlines stewardess who was so rude that she drove an investment b...

    by David Bowman on July 13, 1999
  • Article

    Hot Springs - Diverse Summer Fare Hits City

    Could this be a Jewish wedding? Maybe. The crowd carries a man and a woman high on its shoulders. People kick up their heels while klezmer music wails its irresistible rhythms. But there's no "story," and the dancers are all Asian. No reason for su...

    by Deborah Jowitt on July 13, 1999
  • Article

    Surprise?

    Pilobolus's principle that nothing is what it seems permeates Program A (one of three at the Joyce through July 30), working best in A Selection (a premiere by a collective of five choreographersRobby Barnett, Maurice Sendak, Michael Tracy, Jonathan...

    by Odile Joly on July 13, 1999
  • Article

    Drive Time

    Sometimes the art world resembles a freeway where the artists are cars. There are on ramps and off ramps; vehicles are constantly entering and exiting. Once merged they move at speeds ranging from cautious to reckless, changing lanes continuously or ...

    by Jerry Saltz on July 13, 1999
  • Article

    Twofer

    Even though most of John Armleder's and Sylvie Fleury's works are dated 1999, one immediately senses dj vu, mostly because this recapitulation comprises new versions of works produced throughout the '90s. Hallmarking this look at interlocking lei...

    by Sue Spaid on July 13, 1999
  • Article

    Garage Music - The Wooster Groups Emerging Artist Series

    Two black-lit paintings of staring cyclops hang suspended. On a video screen a tiny crown twists itself into words. A looped recording emits snippets of conversation, intercut with white noise. A man steps onstage. He plays a few notes on a harmonica...

    by Alexis Soloski on July 13, 1999
  • Cold Comfort

    Article

    Cold Comfort

    In the opening moments of Uncle Vanya, the disaffected Doctor Astrov wonders, as Chekhov characters often do, "What are people going to say a hundred years from now? We're supposed to be paving the way for them. You think they'll admire us for the wa...

    by Alisa Solomon on July 13, 1999
  • Article

    The American Revolution

    Though history plays have never really been America's cup of tea, Kirk Wood Bromley has set himself the seemingly impossible task of writing a straightforward dramatic account of the American Revolution in verse! No, this is neither a case of lunat...

    by Charles McNulty on July 13, 1999
  • Erotic City

    Article

    Erotic City

    Samuel R. Delany never ceases to surprise his readers, mainly because he writes astonishingly well about almost anything. Convinced that both "high" and "low" culture are equally valid as pedagogic tools, his two newest projects include a unified due...

    by Carol Cooper on July 6, 1999
  • The Bride Wore Red

    Article

    The Bride Wore Red

    The shrew is a small, nasty animal of the rodent family, once common in some rural areas of England and New England; extending your hand toward it is not recommended, as its teeth are capable of slicing off a good chunk of human finger. How this unpl...

    by Michael Feingold on July 6, 1999
  • Article

    Macbeth

    The bridges, lawns, and concrete paths of Fort Tryon Park may not much resemble the moors, heaths, and woods of medieval Scotland, but don't tell Gorilla Rep. The Downtown troupe, which has produced Shakespeare in a variety of parks for 10 years now...

    by Alexis Soloski on July 6, 1999
  • Article

    It Takes Time

    Something very bad has happened. A few frisky peasant women in bright blue and white dresses have been caught knitting on the palace grounds, where needles are banned! It's Princess Aurora's 20th birthday, and should she prick her finger, a fairy's c...

    by Deborah Jowitt on July 6, 1999
  • Article

    Bull Market

    The phrase suicide dive doesn't resonate well on Wall Street, where it evokes grisly images of the 1929 crash. It bugs Elizabeth Streb, too. It's an old gymnastics term, she says, and like much language about movement it reeks of cultural bias. "Som...

    by Christopher Reardon on July 6, 1999
  • Resident Alien

    Article

    Resident Alien

    Rirkrit Tiravanija's art is like a fungus. As with mold, mildew, and mushrooms, it is parasitical, lacks the artistic equivalent of true chlorophyll, grows virtually anywhere, and is mysteriously beautiful. Tiravanija has insinuated his installation...

    by Jerry Saltz on July 6, 1999
  • Article

    The Cut-Up

    Today's global village is one vast collage, in which weird juxtapositions and disjointed sensations arrive with the regularity of the morning paper. In this context, surrealism's orchestrated disruptions of everyday life can sometimes seem quaint...

    by Leslie Camhi on July 6, 1999
  • Dishing It Out

    Article

    Dishing It Out

    Performance troupe Squonk's Bigsmorgasbordwunderwerk (P.S. 122) opens on all-you-can-eat night at the neighborhood buffet. Warily, a couple of would-be diners approach a banquet table that's wreathed in smoke. Atop the table lie four silver salvers, ...

    on July 6, 1999
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