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Benjamin Mercer

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  • 3 years ago

    A biopic bent on futzing with the form, A Liar's Autobiography bears the strong authorial stamp of its subject, but nonetheless looks like something made by committee: The 3-D feature incorporates 17 different animation styles (by 14 different hou...

  • 3 years ago

    The high-sheen Australian drama Burning Man leans heavily on a scrambled chronology, and likewise feels tonally mixed up, but it certainly does keep you guessing. The movie begins with out-of-order, borderline-hallucinatory scenes from the life of...

  • 3 years ago

    Following a respected Queens-based troupe of Peking opera performers, the polite-rather-than-probing documentary Master Qi and the Monkey King is part traditional-art-form appreciation and part immigrant story. Director Alan Govenar finds more suc...

  • 3 years ago

    Lean, nasty, and patently absurd, The Tortured plays like one long scream of agony. A jury sentences child-killer John Kozlowski (Bill Moseley) to 25 years to life, but that's nowhere near enough for Elise (Erika Christensen) and Craig Landry (Jes...

  • 3 years ago

    Tuning in to a music-as-redemptive-force frequency, black-and-white documentary Music From the Big House follows Canadian roots musician Rita Chiarelli as she collaborates with inmates at Angola, the plantation-turned-maximum-security-prison in ea...

  • 3 years ago

    A largely first-person documentary about living with a range of disorders, OC87 is also, in a sense, about a long hiatus from moviemaking. Nearly three decades ago, Bud Clayman was majoring in radio, television, and film at Temple University when ...