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Casey Burchby

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  • 2 years ago

    Daniel Mindel, A.S.C., is part of an ever-shrinking population: cinematographers who have yet to shoot a feature digitally. He acknowledges that he "will be forced" to do it eventually by "the corporate entities that drive our industry," but he be...

  • Co-directed by Sarah Burns, her dad, Ken, and David McMahon, this documentary revives New York's fear of crime and race paranoia circa 1989 to help explain why five teenage boys were wrongly convicted of the violent rape and beating of Trisha...

  • 3 years ago

    Co-directed by Sarah Burns, her dad, Ken, and David McMahon, this documentary revives New York's fear of crime and race paranoia circa 1989 to help explain why five teenage boys were wrongly convicted of the violent rape and beating of Trisha Meil...

  • 3 years ago

    Attention, Eon Productions, Daniel Craig, and Heineken: James Bond is not a beer drinker! Sure, I know. Getting all worked up about the new James Bond installment is like freaking out about a new Tim Burton movie—past glories don't justify c...

  • 3 years ago

    Waves crash and churn with alarming ferocity in Chasing Mavericks. A seamless blend of open-water photography, visual effects, and sound design effectively replicates the massive power of the title's world-famous surf break. But floating atop the ...

  • 3 years ago

    "I'll just tell you straight out, Killer Joe is the most disturbing film I've ever made," William Friedkin admits. This is really something, coming from a filmmaker who has spent much of an eclectic career testing audience limits. The Exorcist ril...