Email Author Deborah Jowitt
This year, the intrepid and stimulating Bard Summerscape features Richard Wagnerhis music and his world. Yet the seven weeks of... More >>
"Can anything be new, original, private?" asked the spoken text that accompanied Twyla Tharp's 1971 The Bix Pieces. Not really. Yes.... More >>
Once a club kid, always a club kid. Neither a B.A. in dance nor stints in the companies of Ralph Lemon, Ronald K. Brown, and others knocked... More >>
Black may be perennially chic, but in dance its the color of rigor. When drums sound in Jonathan Melville Pratts score... More >>
The death of Pina Bausch on Tuesday, June 6, came as a shock. She had been diagnosed with cancer only five days before. I thought... More >>
Sarah Michelson's work makes people ask questions ranging from "How did she come up with an idea like that?" to "What does she think... More >>
Jennifer Muller was choreographing well before she founded her company in 1974. And what a dancer she was! I still remember the... More >>
Choreographers can get weary of trawling for ideas and following hallowed processes. When that happens, some tackle more ambitious... More >>
Sergei Prokofiev's music is rife with weather changes. Storms simmer beneath airy melodies, occasionally braying into prominence. Tubas grumble... More >>
In Irving Berlin's 1949 Broadway hit, Annie Get Your Gun, Ethel Merman as 1890s sharpshooter Annie Oakley wrangled with Frank Butler... More >>
In 1958, Martha Graham turned 65 and choreographed Clytemnestra. Anger over the first event may well have fueled the latter. What better... More >>
Lets see, theres St. Glen, St. Charley, St. Gus. . . .Oops, I mean St. George, St. Francis, and St. Dionysius the... More >>
Some dance fans believe that New York City Ballet dancers ought to be happy performing nothing but works by George Balanchine and... More >>
When I first saw Elizabeth Strebs work in the 1970s, she and her colleague Michael Schwartz were sliding down a slanted... More >>
Some of us only dream about flying; Trisha Brown launches her dreams onto the stage. And after her opening-night BAM program spanning 40 years... More >>
You wouldnt expect Stephen Petronio to host his own new evening-long work, but, hey, its the 25th anniversary... More >>
Perhaps Australian choreographer Ros Warby named her latest solo, Monumental, with irony in mind. After all, a single... More >>
Merce Cunningham doesn't need a poet son like Dylan Thomas to adjure him to "rage against the dying of the light." His light is burning very... More >>
None of the events in the Guggenheims admirable Works & Processes series connects so sensitively with its current exhibition,... More >>
Vicky Shick arrived in New York from Budapest at age five. That was in 1956, the year of the Hungarian Revolution and the ensuing Soviet... More >>
You climb the splintery stairs to a Williamsburg loft, where you are politely relieved of your coat and bag, given a name tag, and... More >>
Once upon a time, Eliot Feld made beautiful, expressive ballets. Then he became fascinated by repetition, paring down his movement vocabulary... More >>
Adamantine, the title of Susan Marshalls thrilling new work, means hard, impenetrable, and brilliant in the way that a... More >>
Every time I see Keely Garfields choreography, I wish I could get inside her mind and rummage around for a while. I might not understand... More >>
Dance is a space-hungry art. The movement forms shapes and lays out patterns; it needs room to show them. The concept of place often... More >>
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